How creations welded from the scrapheap have become a folk art rage
"Muffler men are the cigar-store Indians of the late 20th
century, trade figures made to stand in front of shops to advertise
what is sold inside. Both are considered forms of folk art, but the
skinny metal figures with shimmering muffler heads and torsos and
pipe-thin legs found outside auto repair shops are wittier, more
imaginative and flamboyantly painted. . . ." -Rita Reif, "The New
York Times"
Art can appear in the most unexpected places. Muffler men, for
example, have become one of the most striking and remarkable of
recent folk art creations. From Walla Walla to Daytona quirky
mannikins constructed from discarded automobile mufflers are
popping up across America. Cobbled together as business signposts,
these comical sculptures are sprouting outside automotive repair
shops everywhere.
Car debris harmonizes with human anatomy as rusty cast-offs
assume a new identity as savvy "objets d'art." Signage turns into
art as mechanics fashion cowboys, dogs, robots, space aliens, and a
host of other creatures from metal scraps of the profession and
with the aid of their workaday tools and acetylene.
If for only a passing moment, the muffler men enliven the
roadside and help to break up the monotony of daily commutes. More
than mere advertisements, they interact with their communities by
greeting the passerby. The significance of muffler sculptures turns
profound when they become local celebrities and are hailed as
community landmarks.
But what do they mean? For the creative mechanic who made them
they are exclamatory signposts and store mascots. For the academic
folklorists who analyze them they are symbolic icons with cultural
meanings that proclaim individual identity and group membership.
For the collectors who treasure them they are exemplars of
"outsider art." For most nonspecialists who wave as they speed past
they are funky delights.
This colorful book documents the widespread appeal of muffler
men as a form of occupational art that enriches the workplace, the
local environment, and now the art gallery.
Timothy Corrigan Correll is a folklorist whose research focuses
on material behavior and folk belief. Patrick Arthur Polk serves as
the museum scientist and archivist for the UCLA Folklore and
Mythology Archives.
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