As the building blocks of moving pictures, photographs have played
an integral role in cinema since the dawn of the medium-a
relationship that has grown more complexly connected even as the
underlying technologies continue to evolve. Moving Frames explores
the use of photographs in German films from Expressionism to the
Berlin School, addressing the formal and narrative roles that
photographs play as well as the cultural and historical contexts
out of which these films emerged. Looking beyond and within the
canon, the editors gather stimulating new insights into the
politics of surveillance, resistance, representation, and
collective memory functioning through photographic rupture and
affect in German cinema.
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