This fascinating study reveals a world where a suitcase can comment
on politics and a marionette can play Faust. It answers the
question of why directors, writers, and producers use puppets and
objects, investigating their different styles of performance, the
distinction between props and performing objects, and how actors
learn to animate. Ideal for anyone participating in or directing
productions involving puppets or inanimate objects, this book
paints a vivid picture of one of the most entertaining forms of
theater.
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