What are the musical sounds that people remember in the diaspora?
What are the sounds they create? Recognising the importance that
people attach to musical performances, this book explores the
significance of widespread Caribbean genres in diaspora politics.
Tina K. Ramnarine uses ethnographic approaches to unravel creative
processes of memory, innovation and production and to interrogate
geographies of musical canons, hybridity discourses and culture
theory. She challenges us to rethink diaspora as only being about
displacement, to move beyond the limits of marginalisation and
otherness, and to imagine the possibilities of 'beautiful cosmos'.
Asking 'where is home in the diaspora?' this book presents radical
perspectives in the study of diaspora.
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