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Victims, Perpetrators and Professionals - The Representation of Women in Chinese Crime Films (Hardcover)
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Victims, Perpetrators and Professionals - The Representation of Women in Chinese Crime Films (Hardcover)
Series: The Sussex Library of Asian & Asian American Studies
Expected to ship within 12 - 17 working days
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This book examines the representation of women in relation to
violence in Chinese crime films made on the mainland, and in Hong
Kong and Taiwan. It introduces a new trajectory in the
investigation of the cinematic representation of female figures in
relation to gender issues by interweaving Western feminist and
postfeminist critiques with traditional Chinese sociocultural
discourse. An in-depth narrative identifies three major
representations of women: the female victim, the female perpetrator
of violence, and the female professional. Salience to contemporary
society shows up in many ways, passive and active, all of which
reinforce a sense of male dominance and patriarchal power. Analysis
bridges the gap in the field of female representation in Chinese
culture/Chinese film studies by systematically examining Chinese
crime films as a genre in its own right. The depiction of female
victimisation at the hands of men in the selected crime films
consolidates the notion of womens vulnerability and inferiority as
perceived in Chinese gender discourse. On the other hand, the
representation of active female perpetrators of violence, and as
professional working women, presents what may be seen as a
postfeminist masquerade a cultural strategy that shows an
ostensible impression of female empowerment albeit that it
reinforces traditional gender hierarchies in the Chinese gender
context. While graphic female victimisation is commonly presented,
female perpetrators of violence and females in professional roles
in crime films are shown to remain under the control of male
authority, leading to the conclusion that Chinese crime films are
produced in a context of heavy patriarchal power and misogyny.
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