Drawing on the philosophies of art developed by the continental
authors and studies of Anglo-American philosophers, this book
presents a panorama of the philosophy of art. It discusses
definitions offered from the analytical school including Arthur
Danto's representationalism, Dipert's theories of artefactualism,
Dickie's institutional and procedural theories and Levinson's
historical and cultural theories. From the continental theories it
reflects on Hegel's notion of philosophy of art, Martin Heidegger's
and Hans Georg Gadamer's hermeneutic tradition and Alexius
Meinong's theory of objects. This range of definitions and theories
are judged and defended using a form of representationalism that
begins with the results of Arthur Danto's thinking and integrates
the aesthetic reflection of the Baumgarten School. The result is
not only a presentation of philosophy of art from the beginning of
the twentieth century to present day, but a study that proposes a
theory capable of synthesizing the finest contributions of the
analytic and continental traditions.
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