The staging of opera has become immensely controversial over the
last twenty years. Tom Sutcliffe here offers an engaging and
far-reaching book about opera performance and interpretation. This
work is a unique tribute to the most distinctive and adventurous
achievements in the theatrical interpretation of opera as it has
developed in recent decades. Readers will find descriptions of the
most original and successful avant-garde opera productions in
Britain, Europe, and America. Sutcliffe beautifully illustrates how
updating, transposition, or relocation, and a variety of unexpected
imagery in opera, have qualified and adjusted our perception of the
content and intention of established masterpieces.
"Believing in Opera" describes in detail the seminal opera
productions of the last fifty years, starting with Peter Brook in
London after the war, and continuing with the work of such
directors and producers as Patrice Chereau in Bayreuth, Peter
Sellars and David Alden in America, Ruth Berghaus in Frankfurt, and
such British directors as Richard Jones, Graham Vick, Peter Hall,
and David Pountney. Through his descriptions of these works,
Sutcliffe states that theatrical opera has been enormously
influenced by the editing style, imagery, and metaphor commonplace
in the cinema and pop videos. The evolution of the performing arts
depends upon revitalization and defamiliarization, he asserts. The
issue is no longer naturalism, but the liberation of the audience's
imagination powered by the music.
Sutcliffe, an opera critic for many years, argues that opera is
theater plus music of the highest expressive quality, and as a
result he has often sided with unconventional and novel theatrical
interpretations. He believes that there is more to opera than meets
the ear, and his aim is to further the process of understanding and
interpretation of these important opera productions. No other book
has attempted this kind of monumental survey.
Originally published in 1997.
The Princeton Legacy Library uses the latest print-on-demand
technology to again make available previously out-of-print books
from the distinguished backlist of Princeton University Press.
These paperback editions preserve the original texts of these
important books while presenting them in durable paperback
editions. The goal of the Princeton Legacy Library is to vastly
increase access to the rich scholarly heritage found in the
thousands of books published by Princeton University Press since
its founding in 1905."
General
Imprint: |
Princeton University Press
|
Country of origin: |
United States |
Series: |
Princeton Legacy Library |
Release date: |
July 2014 |
First published: |
July 2014 |
Authors: |
Tom Sutcliffe
|
Dimensions: |
229 x 152 x 25mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
482 |
ISBN-13: |
978-0-691-60060-4 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
Theatre, drama >
Opera
|
LSN: |
0-691-60060-0 |
Barcode: |
9780691600604 |
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