This book is the first detailed study of the Commonwealth
Institute's architecture and its exhibition galleries. It shows how
the strikingly modern building and its dynamic displays inside
worked together to create an immersive 'experience' of the
Commonwealth, as part of a wider process during which post-war
Britain began to focus on a future without its Empire. Featuring
unpublished plans, drawings and historic photographs, the book
sheds light on the various and often unstable ways in which the
concept of the Commonwealth was presented to the British public.
Focusing on the years between 1958-1973, it starts at the point in
which the imposing Victorian edifice of the Imperial Institute in
South Kensington was reborn as the modern and progressive
Commonwealth Institute in Holland Park. Following a brief history
of the Imperial Institute, the book then outlines the circumstances
that led to the Institute's move to High Street Kensington. It
shows how the Commonwealth Institute was conceptualised and
developed by three key players: Kenneth Bradley, the Institute's
director; architect Stirrat Johnson-Marshall, the RNJN partner in
charge of the project; the exhibitions designer James Gardner, who
for many years was responsible for the projection of British
national identity at international exhibitions. In this way, the
book shows how the architecture of the Commonwealth Institute, the
displays inside and the politics that governed its inception were
largely intertwined.
General
Imprint: |
Lund Humphries Publishers Ltd
|
Country of origin: |
United Kingdom |
Release date: |
2021 |
Authors: |
Tom Wilson
|
Dimensions: |
240 x 170 x 21mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
176 |
ISBN-13: |
978-1-84822-410-0 |
Categories: |
Books >
Arts & Architecture >
Architecture >
General
|
LSN: |
1-84822-410-9 |
Barcode: |
9781848224100 |
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