The featured articles in this volume provide an overview of jazz
studies writings from the 1990s to the present day, and each text
engages with issues that are central to the changing discourse of
jazz in popular culture. The volume includes studies of specific
scenes, artists and periods from jazz history, and also comments on
broader aspects of musical discourse, from ontological
considerations to the politics of canon formation, from issues of
representation to international perspectives. The collection
encourages readers to engage in comparative thinking and analysis,
and contributions touch on a range of themes that will be of
interest to scholars who situate jazz at the heart of popular music
studies. It is a highly valuable resource for researchers,
enthusiasts, teachers and students.
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