La Mer stands at the center of Debussy's achievement. Described by
the composer as "a seascape without figures," it is arguably the
greatest and most original French symphony. In this study, La Mer
is considered in the context of Debussy's personal and musical
development. Detailed discussion of performance styles draw on
current recordings, and two analytical chapters trace the growth of
ideas through the work. Studies of rhythm, motif and tonality show
how Debussy generates "narratives" across the three movements.
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