Bata identifies both the two-headed, hourglass-shaped drum of
the Yoruba people and the culture and style of drumming, singing,
and dancing associated with it. This book recounts the life story
of Carlos Aldama, one of the masters of the bata drum, and through
that story traces the history of bata culture as it traveled from
Africa to Cuba and then to the United States. For the enslaved
Yoruba, bata rhythms helped sustain the religious and cultural
practices of a people that had been torn from its roots. Aldama, as
guardian of Afro-Cuban music and as a Santeria priest, maintains
the link with this tradition forged through his mentor Jesus Perez
(Oba Ilu), who was himself the connection to the preserved oral
heritage of the older generation. By sharing his stories, Aldama
and his student Umi Vaughan bring to light the techniques and
principles of bata in all its aspects and document the tensions of
maintaining a tradition between generations and worlds, old and
new. The book includes rare photographs and access to downloadable
audio tracks."
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