Inigo Jones (1573-1652) is widely acknowledged to have been
England's most important architect. As court designer to the Stuart
kings James I and Charles I, he is credited with introducing the
classical language of architecture to the country. He famously
traveled to Italy and studied firsthand the buildings of the
Italian masters, particularly admiring those by Andrea Palladio.
Much less well known is the profound influence of native British
arts and crafts on Jones's architecture. Likewise, his hostility to
the more opulent forms of Italian architecture he saw on his
travels has largely gone unnoted. This book examines both of these
overlooked issues. Vaughan Hart identifies well-established links
between the classical column and the crown prior to Jones, in early
Stuart masques, processions, heraldry, paintings, and poems. He
goes on to discuss Jones's preference for a "masculine and
unaffected" architecture, demonstrating that this plain style was
consistent with the Puritan artistic sensitivities of Stuart
England. For the first time, the work of Inigo Jones is understood
in its national religious and political context. Published for the
Paul Mellon Centre for Studies in British Art
General
Imprint: |
Yale University Press
|
Country of origin: |
United States |
Release date: |
September 2011 |
First published: |
September 2011 |
Authors: |
Vaughan Hart
|
Dimensions: |
254 x 191 x 29mm (L x W x T) |
Format: |
Hardcover - Cloth over boards
|
Pages: |
336 |
ISBN-13: |
978-0-300-14149-8 |
Categories: |
Books >
Arts & Architecture >
Architecture >
Individual architects
|
LSN: |
0-300-14149-1 |
Barcode: |
9780300141498 |
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