For roughly two decades after the collapse of the military regime
in 1983, testimonial narrative was viewed and received as a
privileged genre in Argentina. Today, however, academics and public
intellectuals are experiencing "memory fatigue," a backlash against
the concepts of memory and trauma, just as memory and testimonial
films have reached the center of Argentinian public discourse. In
Rethinking Testimonial Cinema in Postdictatorship Argentina,
Verónica Garibotto looks at the causes for this reticence and
argues that, rather than discarding memory texts for their
repetitive excess, it is necessary to acknowledge them and their
exhaustion as discourses of the present. By critically examining
how trauma theory and subaltern studies have previously been
applied to testimonial cinema, Garibotto rereads Argentinian films
produced since 1983 and calls for an alternate interpretive
framework at the intersection of semiotics, theories of affect,
scholarship on hegemony, and the ideological uses of documentary
and fiction. She argues that recurrent concepts—such as trauma,
mourning, memory, and subalternity—miss how testimonial films
have changed over time, shifting from subaltern narratives to
official, hegemonic, and iconic accounts. Her work highlights the
urgent need to continue to study these types of narratives,
particularly at a time when military dictatorships have become
entrenched in Latin America and memory narratives proliferate
worldwide. Although Argentina is Garibotto's focus, her theory can
be adapted to other contexts in which narratives about recent
political conflicts have shifted from alternative versions of
history to official, hegemonic accounts—such as in Spanish,
Chilean, Uruguayan, Brazilian, South African, and Holocaust
testimonies. Garibotto's study of testimonial cinema moves us to
pursue a broader ideological analysis of the links between film and
historical representation.
General
Imprint: |
Indiana University Press
|
Country of origin: |
United States |
Series: |
New Directions in National Cinemas |
Release date: |
February 2019 |
First published: |
2019 |
Authors: |
Veronica Garibotto
|
Dimensions: |
229 x 152mm (L x W) |
Format: |
Hardcover
|
Pages: |
216 |
ISBN-13: |
978-0-253-03850-0 |
Categories: |
Books >
Arts & Architecture >
General
|
LSN: |
0-253-03850-2 |
Barcode: |
9780253038500 |
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