In this critical examination of the role of the imagination in
the modern and postmodern periods, Victor E. Taylor looks at the
'fable' as a narrative form that addresses the ultimate questions
of how to live and why. He assesses various literary theories and
styles in the wake of postmodernism to reveal the ways in which
fable-style narrative can be a meaningful genre for addressing
traditional and post-traditional religious, ethical, and
epistemological concerns. In the process, Taylor draws on key
figures across the humanities--from Mircea Eliade and Claude
Levi-Strauss, Paul Ricoeur and Slavoj Zizek, to Leo Tolstoy and
Franz Kafka.
Placing an emphasis on rethinking the importance of critical
theory in religious studies, the author argues that a new, more
demanding formulation of the concept of possibility allows for a
realignment of the philosophical, mythological, and literary
imaginations. By returning to the history of philosophy, myth
studies, and modern literature, Taylor makes a renewed case for the
significance of a distinctive formulation of religious theory as a
desire for thinking. Religion after Postmodernism calls for a
reconsideration of "theory as thinking" for the future of
philosophy, religious studies, and literature.
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