The all-embracing, "whaddya got?" nature of rebellion in Fifties
America included pop music's unlikely challenge to entrenched
notions of masculinity. Within that upheaval, four prominent
artists dared to behave in ways that let the public assume—but
not see—their queerness. That these artists cultivated ambiguous
sexual personas often reflected an understandable fear, but also a
struggle to fulfill personal and professional expectations.Vincent
L. Stephens confronts notions of the closet—both coming out and
staying in—by analyzing the careers of Liberace, Johnny Mathis,
Johnnie Ray, and Little Richard. Appealing to audiences hungry for
novelty and exoticism, the four pop icons used performance and
queering techniques that ran the gamut. Liberace's flamboyance
shared a spectrum with Mathis's intimate sensitivity while Ray's
overwrought displays as "Mr. Emotion" seemed worlds apart from
Little Richard's raise-the-roof joyousness. As Stephens shows, the
quartet not only thrived in an era of gray flannel manhood, they
pioneered the ways generations of later musicians would consciously
adopt sexual mystery as an appealing and proven route to success.
General
Imprint: |
University of Illinois Press
|
Country of origin: |
United States |
Series: |
New Perspectives on Gender in Music |
Release date: |
October 2019 |
Authors: |
Vincent L. Stephens
|
Dimensions: |
229 x 152 x 15mm (L x W x T) |
Format: |
Paperback
|
Pages: |
248 |
ISBN-13: |
978-0-252-08463-8 |
Categories: |
Books
Promotions
|
LSN: |
0-252-08463-2 |
Barcode: |
9780252084638 |
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!