Who decides how, when, and where Americans fall in love and get
married? Virginia Wexman's acute observations about movie stars and
acting techniques show that Hollywood has often had the most
powerful voice in demonstrating socially sanctioned ways of
becoming a couple. Until now serious film critics have paid little
attention to the impact of performance styles on American romance,
and have often treated "patriarchy," "sexuality," and the "couple"
as monolithic and unproblematic concepts. Wexman, however, shows
how these notions have been periodically transformed in close
association with the appearance, behavior, and persona of the stars
of films such as "The Maltese Falcon," "The Big Sleep," "Way Down
East," "The Man Who Shot Liberty Valance," "Sunset Boulevard," "On
the Waterfront," "Nashville," "House of Games," and "Do the Right
Thing."
The author focuses first on the way in which traditional
marriage norms relate to authorship (the Griffith-Gish
collaboration) and genre (John Wayne and the Western). Looking at
male and female stardom in terms of the development of
"companionate marriage," she discusses the love goddess and the
impact of method acting on Hollywood's ideals of maleness. Finally
she considers the recent breakdown of the ideal of monogamous
marriage in relation to Hollywood's experimentation with
self-reflexive acting styles. "Creating the Couple" is must reading
for film scholars and enthusiasts, and it will fascinate everyone
interested in the changing relationships of men and women in modern
culture.
General
Imprint: |
Princeton University Press
|
Country of origin: |
United States |
Release date: |
June 1993 |
First published: |
June 1993 |
Authors: |
Virginia Wright-Wexman
|
Dimensions: |
235 x 152 x 20mm (L x W x T) |
Format: |
Paperback
|
Pages: |
336 |
ISBN-13: |
978-0-691-01535-4 |
Categories: |
Books
Promotions
|
LSN: |
0-691-01535-X |
Barcode: |
9780691015354 |
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