The volume is the first study to explore the intersection of memory
and securitisation in the European context. By analysing a variety
of practices ranging from film to art and new media, the book
expands the existing theoretical framework of securitisation. The
authors consider memory as a precondition for contemporary
integration projects such as the European Union, and also showcase
how memory is used to stage international conflicts. Following this
memory-securitisation nexus, the European Union, and Europe more
generally, emerges as an on-going cultural, political and social
project. The book also examines developments outside the EU such as
the conflict in Ukraine and the creation of the Eurasian Economic
Union, which, the authors argues, have a profound impact on Europe.
From a consideration of historical contexts such as national
referenda the discussion proceeds to media and film analysis,
artistic practice and more transient phenomena such as climate
change.
General
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