The advances in Haydn scholarship would have been unthinkable to
earlier generations, who honoured the composer more in word than in
deed. Haydn Studies deals with many aspects of a composer who is
perennially fresh, concentrating principally on matters of
reception, style and aesthetics and presenting many interesting
readings of the composer's work. Haydn has never played a major
role in accounts of cultural history and has never achieved the
emblematic status accorded to composers such as Beethoven, Debussy
and Stravinsky, in spite of his radical creative agenda: this
volume broadens the base of our understanding of the composer.
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