Tracing in-scriptions of subjectivity in texts from 13th and 14th
century France necessarily implies inquiring into the process of
subjectification they reflect. From the "Roman de la Rose" in the
versions by Guillaume de Loris and Jean de Meun to Guillaume de
Machaut's "Livre du Voir-Dit" by way of the "Clefs d'Amors" and the
"Dit de la Panthere d'Amours," the works studied here circumscribe
a period not normally counted as an 'epoch' by literary historians.
It is an interim period marking the transition from an attitude
sub-scribing to a feudal/courtly ideal of culture to a practice of
culture as the fruit of education and experience. Accordingly, the
development traced by the study is a progression from a vision of
truth derived from authority to a quest for self-identification
authorized by the desire to write (about desire)."
General
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