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The Collected Writings of Wallace Thurman - A Harlem Renaissance Reader (Paperback, New)
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The Collected Writings of Wallace Thurman - A Harlem Renaissance Reader (Paperback, New)
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This book is the definitive collection of the writings of Wallace
Thurman (1902-1934), providing a comprehensive anthology of both
the published and unpublished works of this bohemian, bisexual
writer. Widely regarded as the enfant terrible of the Harlem
Renaissance scene, Thurman was a leader among a group of young
artists and intellectuals that included, among others, Langston
Hughes, Zora Neale Hurston, Richard Bruce Nugent, Gwendolyn
Bennett, and Aaron Douglas. Through the publication of magazines
such as Fire!! and Harlem: A Forum of Negro Life, Thurman tried to
organize the opposition of the younger generation against the
programmatic and promotional ideologies of the older generation of
black leaders and intellectuals such as W.E.B. Du Bois and Benjamin
Brawley. Thurman also left a permanent mark on the period through
his prolific work as a novelist, playwright, short story writer,
and literary critic, as well as by claiming for himself a voice as
a public intellectual. The Collected Writings of Wallace Thurman is
divided into eight sections to highlight the variety of genres and
styles Thurman practiced as he courageously pursued controversial
subjects throughout his short and brilliant career. It includes
Essays on Harlem, Social Essays and Journalism, Correspondence,
Literary Essays and Reviews, Poetry and Short Fiction, Plays, and
Excerpts from Novels. Filling an important gap in Harlem
Renaissance literature, this collection brings together all of
Thurman's essays, nearly all of his letters to major black and
white figures of the 1920s, and three previously unpublished major
works. These books are Aunt Hagar's Children, which is a collection
of essays, and two full-length plays, Harlem and Jeremiah the
Magnificent. The introduction to the volume, along with the
carefully researched introductory notes to each of the eight
sections, provide a challenging new reevaluation of Thurman and the
Harlem Renaissance for both the general reader and scholar.
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