In this pioneering, erudite study of a pivotal era in the arts,
Walter Frisch examines music and its relationship to early
modernism in the Austro-German sphere. Seeking to explore the
period on its own terms, Frisch questions the common assumption
that works created from the later 1870s through World War I were
transitional between late romanticism and high modernism. Drawing
on a wide range of examples across different media, he establishes
a cultural and intellectual context for late Richard Wagner,
Richard Strauss, Gustav Mahler, and Arnold Schoenberg, as well as
their less familiar contemporaries Eugen d'Albert, Hans Pfitzner,
Max Reger, Max von Schillings, and Franz Schreker. Frisch explores
"ambivalent" modernism in the last quarter of the nineteenth
century as reflected in the attitudes of, and relationship between,
Nietzsche and Wagner. He goes on to examine how naturalism, the
first self-conscious movement of German modernism, intersected with
musical values and practices of the day. He proposes convergences
between music and the visual arts in the works of Brahms, Max
Klinger, Schoenberg, and Kandinsky. Frisch also explains how, near
the turn of the century, composers drew inspiration and techniques
from music of the past--the Renaissance, Bach, Mozart, and Wagner.
Finally, he demonstrates how irony became a key strategy in the
novels and novellas of Thomas Mann, the symphonies of Mahler, and
the operas of Strauss and Hofmannsthal. 00
General
Imprint: |
University of California Press
|
Country of origin: |
United States |
Series: |
California Studies in 20th-Century Music, 3 |
Release date: |
February 2007 |
First published: |
February 2007 |
Authors: |
Walter Frisch
|
Dimensions: |
229 x 152 x 23mm (L x W x T) |
Format: |
Paperback
|
Pages: |
332 |
ISBN-13: |
978-0-520-25148-9 |
Categories: |
Books
|
LSN: |
0-520-25148-2 |
Barcode: |
9780520251489 |
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