Against the background of the media commercialization reform since
the 1990s in China and drawing on the case of "X-Change"
(2006-2019), Wei Dong investigates the entanglements between
emotion and subjectivity, ideology, identity and hegemonic power in
the multimodal text of the program. The focus lies on the ways in
which emotions are appropriated and disciplined by regimes of power
and identity, and the ways in which affect -- in this case
primarily kuqing (bitter emotions) communicated by the material and
the body -- have the potential to challenge or exceed existing
relations of power in the mediascape. Wei Dong shows how Chinese
reality TV provides a historical and theoretical opportunity for
understanding the affective structures of contemporary China in the
dynamic process of fracture and integration.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!