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Scenarios - Aguirre, the Wrath of God; Every Man for Himself and God Against All; Land of Silence and Darkness; Fitzcarraldo (Paperback)
Loot Price: R590
Discovery Miles 5 900
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Scenarios - Aguirre, the Wrath of God; Every Man for Himself and God Against All; Land of Silence and Darkness; Fitzcarraldo (Paperback)
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Loot Price R590
Discovery Miles 5 900
Expected to ship within 9 - 17 working days
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I do not follow ideas, I stumble into stories or into people; and I
know that this is so big, I have to make a film. Very often, films
come like uninvited guests, like burglars in the middle of the
night. They are in your kitchen; something is stirring, you wake up
at 3 a.m. and all of a sudden they come wildly swinging at you.
When I write a screenplay, I write it as if I have the whole film
in front of my eyes. Then it is very easy for me, and I can write
very, very fast. It is almost like copying. But of course sometimes
I push myself; I read myself into a frenzy of poetry, reading
Chinese poets of the eighth and ninth century, reading old
Icelandic poetry, reading some of the finest German poets like
Hölderlin. All of this has absolutely nothing to do with the idea
of my film, but I work myself up into this kind of frenzy of
high-caliber language and concepts and beauty. And then sometimes I
push myself by playing music, for example, a piano concerto by
Beethoven, and I play it and write furiously. But none of this is
an answer to the question of how you focus on a single idea for a
film. And then, during shooting, you have to depart from it
sometimes, while keeping it alive in its essence. —Werner
Herzog, on filmmaking Werner Herzog doesn’t write traditional
screenplays. He writes fever dreams brimming with madness, greed,
humor, and dark isolation that can shift dramatically during
production—and have materialized into extraordinary masterpieces
unlike anything in film today. Harnessing his vision and
transcendent reality, these four pieces of long-form prose earmark
a renowned filmmaker at the dawn of his career.
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