"Visions of the Apocalypse" examines the cinema's fascination
with the prospect of nuclear and/or natural annihilation, as seen
in such films as "Saving Private Ryan, Bowling for Columbine, We
Were Soldiers, Invasion U.S.A., The Last War, Tidal Wave, The Bed
Sitting Room, The Last Days of Man on Earth" and numerous others.
It also considers the ways in which contemporary cinema has become
increasingly hyper-conglomerised, leading to films with ever-higher
budgets and fewer creative risks. Along the way, the author
discusses such topics as the death of film itself, to be replaced
by digital video; the political and social tensions that have made
these visions of infinite destruction so appealing to the public;
and the new wave of Hollywood war films, coupled with escapist
comedies, in the post-9/11 era. Encompassing both questions of
physical and filmic mortality "Visions of the Apocalypse" is a
meditation on the questions of time, memory and the cinema's
seemingly unending appetite for spectacles of destruction.
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