This profusely illustrated book is the first full-length study
of the Canadian-born sculptor David Rabinowitch. Working in New
York since 1972 and extensively in Europe since the early 1980s,
Rabinowitch became Professor of Sculpture at the Staatliche
Kunstakademie, Dusseldorf, in 1984. Whitney Davis closely analyzes
six groups of works produced by Rabinowitch between 1963 and the
present, comparing their rigorous constructivism with the
"minimalism" of American sculptors such as Donald Judd. Davis also
explores Rabinowitch's relations to the work of modern painters and
sculptors from Cezanne to David Smith, and his involvement with the
wider history of art.
This title is published in conjunction with an exhibition which
opened at the Fogg Museum in September 1996.
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