An emormous diamond is bequeathed to Miss Rachel Verinder by her
uncle Colonel John Herncastle who has recently expired out in the
colonies. In anticipation of Miss Verinders eighteenth birthday ,
the Moonstone is spirited out of India and brought back to England
whereupon it goes missing. Stolen in the first place from a Hindu
shrine, the ownership and indeed the whereabouts of the sacred
diamond is the question around which the plot revolves. Credited
with being the first example of detective fiction the tale is told
as a series of eyewitness accounts which was partly necessitated by
it being published by instalment in All Year Round in 1868. (Kirkus
UK)
‘When you looked down into the stone, you looked into a yellow deep that drew your eyes into it so that they saw nothing else’
The Moonstone, a yellow diamond looted from an Indian temple and believed to bring bad luck to its owner, is bequeathed to Rachel Verinder on her eighteenth birthday. That very night the priceless stone is stolen again and when Sergeant Cuff is brought in to investigate the crime, he soon realizes that no one in Rachel’s household is above suspicion. Hailed by T. S. Eliot as ‘the first, the longest, and the best of modern English detective novels’, The Moonstone is a marvellously taut and intricate tale of mystery, in which facts and memory can prove treacherous and not everyone is as they first appear.
Sandra Kemp’s introduction examines The Moonstone as a work of Victorian sensation fiction and an early example of the detective genre, and discusses the technique of multiple narrators, the role of opium, and Collins’s sources and autobiographical references.
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