Of the many dynamic, young playwrights to be associated with the
"In-Yer-Face" burst of creative talent on the British stage in the
mid-1990s, Joe Penhall has challenged Britain's status quo the
most. Penhall believes his plays should constantly provoke and
enrage not only the institutions he targets, but also his audience.
This critical book discusses the argumentative nature of Penhall's
plays, while also placing them within the context of contemporary
British society and the modern dramatic tradition. His eight plays
are discussed in detail, and particular attention is paid to male
identity, the nature of grief, the variety of females in his
oeuvre, domestic drama and the role of autobiography in his work.
General
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