The essays in this collection range from the impact of
technology on the British folksong revival to regional
characteristics of early rock and roll in New Orleans. Attention is
given to the blues, Sacred Harp singing, ethnic music, both black
and white gospel, country music, and the polka. Other essays
consider the relationship of music from the Yiddish-American
theater with that of Broadway, the wide influence and
commercialization of black music in today's popular music, myths
about early black music, and Charles Ives as folk hero.
Contributors include Amiri Baraka, Doris J. Dyen, Dena J. Epstein,
David Evans, Kenneth S. Goldstein, Anthony Heilbut, William Ivey,
Charles Keil, A. L. Lloyd, Bill C. Malone, Robert Palmer, Vivian
Perlis, Mark Slobin, Richard Spottswood, and Charles K. Wolfe.
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