The most notorious poet-critic of his generation, William Logan
has defined our view of poets good and bad, interesting and banal,
for more than three decades. Featured in the "New York Times Book
Review," the "Times Literary Supplement," and the "New Criterion,"
among other journals, Logan's eloquent, passionate prose never
fails to provoke readers and poets, reminding us of the value and
vitality of the critic's savage art.
Like "The Undiscovered Country: Poetry in the Age of Tin," which
won the National Book Critics Circle Award in Criticism, "Our
Savage Art" features the corrosive wit and darkly discriminating
critiques that have become the trademarks of Logan's style. Opening
with a defense of the critical eye, this collection features essays
on Robert Lowell's correspondence, Elizabeth Bishop's unfinished
poems, the inflated reputation of Hart Crane, the loss of the New
Critics, and a damning-and already highly controversial-indictment
of an edition of Robert Frost's notebooks.
Logan also includes essays on Derek Walcott and Geoffrey Hill,
two crucial figures in the divided world of contemporary poetry,
and an attempt to rescue the reputation of the nineteenth-century
poet John Townsend Trowbridge. Short reviews consider John Ashbery,
Anne Carson, Billy Collins, Rita Dove, Louise Gl?ck, Jorie Graham,
Robert Hass, Seamus Heaney, and dozens of others. Though he might
be called a cobra with manners, Logan is a fervent advocate for
poetry, and "Our Savage Art" continues to raise the standard of
what the critic can do.
General
Imprint: |
Columbia University Press
|
Country of origin: |
United States |
Release date: |
April 2012 |
First published: |
April 2012 |
Authors: |
William Logan
|
Dimensions: |
229 x 152 x 23mm (L x W x T) |
Format: |
Paperback
|
Pages: |
368 |
ISBN-13: |
978-0-231-14733-0 |
Categories: |
Books
|
LSN: |
0-231-14733-3 |
Barcode: |
9780231147330 |
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