Since its founding in 1969 by William Packard, The New York
Quarterly has been devoted to excellence in the publication of a
unique and fervent cross-section of contemporary American poetry
regardless of school of thought, style, or genre. Our only concern
is to focus on the craft that underlies effective poetry writing.
The New York Quarterly features works by both known and emerging
poets. The NYQ Craft Interviews present the views of some of our
most outstanding poets on the general subjects of style, prosody
and technique. The issues are rounded out with an essay or two on
the subject of contemporary American poetry that is both accessible
and meaningful to readers, poets, students, and teachers of poetry
alike. NYQ 1 features a craft interview with W. H. Auden; an
editorial regarding the NYQ craft concept; articles on poetry
awards, Bread Loaf Writers Conference, writing exercises; photos of
Sexton, Wakowski, Glaze, Rosten, Gardner and Bill Knott; and poetry
by W. H. Auden, Stanley Kunitz, Selden Rodman, Robert Lax, Eli
Siegel, Norman Rosten, Richard Eberhart, Paul Blackburn, H. L. Van
Brunt, Ruth Herschberger, Barbara Holland, Isabella Gardner, Linda
Lahey, Elizabeth Yazzetti, John O'Connell, Mary Jane Fortunato,
Stephen Stepanchev, Andrew Glaze, Siv Cedering Fox, Linda Krenis,
Wendy Rickert, Ronald Hobbs, Robert Burdette Sweet, Anne Sexton,
Helen Adam, Lawrence Locke, Susan Rowe, Catherine Middleton, Donald
Lawder, Susan Schell, Marina, Thomas Victor, Jean Garrigue, Elaine
Sutton, David Ignatow, Jeanette Fasciocco, Manuchehr Sassoonian,
and W. S. Merwin.
General
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