Since its founding in 1969 by William Packard, The New York
Quarterly has been devoted to excellence in the publication of a
unique and fervent cross-section of contemporary American poetry
regardless of school of thought, style, or genre. Our only concern
is to focus on the craft that underlies effective poetry writing.
The New York Quarterly features works by both known and emerging
poets. The NYQ Craft Interviews present the views of some of our
most outstanding poets on the general subjects of style, prosody
and technique. The issues are rounded out with an essay or two on
the subject of contemporary American poetry that is both accessible
and meaningful to readers, poets, students, and teachers of poetry
alike. NYQ 18 features the first craft interview with W. D.
Snodgrass (the second is in NYQ 61); an editorial about Laotse and
the Tao; photographs of poet statues of Longfellow, Poe, Burns,
Dante, and Whitman; and poetry by William Meredith, Robert Pack, A.
R. Ammons, Helen Adam, Toby Olson, Erica Jong, Charles Bukowski,
Linda King, Knute Skinner, Jackson Mac Low, Peter Viereck, Eli
Siegel, William Mundell, Barbara Holland, Stephen Stepanchev, Siv
Cedering Fox, David Shapiro, Anne Waldman, Leo Connellan, James
Lewisohn, Rudolf Wittenberg, Harold Witt, Robert Clayton Casto, Sam
Toperoff, John Romano, Lynne Savitt, Greg Kuzma, Marc Tretin,
Virginia Bortin, Helena Moynihan, Judith Minty, Lola Haskins,
Florence Elon, Tom Cuson, Jeff Wanshel, Norman Stock, Diane
Raintree, Robert Carney, Charlie Lebeda, David Wann, and Robert
Hoeft.
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