Since its founding in 1969 by William Packard, The New York
Quarterly has been devoted to excellence in the publication of a
unique and fervent cross-section of contemporary American poetry
regardless of school of thought, style, or genre. Our only concern
is to focus on the craft that underlies effective poetry writing.
The New York Quarterly features works by both known and emerging
poets. The NYQ Craft Interviews present the views of some of our
most outstanding poets on the general subjects of style, prosody
and technique. The issues are rounded out with an essay or two on
the subject of contemporary American poetry that is both accessible
and meaningful to readers, poets, students, and teachers of poetry
alike. NYQ 2 features a craft interview with Paul Blackburn; an
editorial on the history of New York poets; handwritten worksheets
and poems of May Swenson, Andrew Glaze, William S. Merwin, and
Maxine Kumin; "Assonance is Like This," an article by Eli Siegel;
list of films on poetry and poets; photos of Bogan, Kunitz, Field,
Merwin, Siegel and Ashbery; and poetry by Allen Ginsberg, Louis
Ginsberg, RobertOh Faber, Stephen Dunn, Edmund Pennant, Susan
Wecker, Helena Moynihan, Leo Connellan, Robert Lax, Laura Benet,
Nikki Giovanni, Virginia Bell, Michael Harlow, William Stafford,
Rose Drachler, Jill Hoffman, Brian Swann, Donald Lawder, John Hall
Wheelock, Robert Dugan, Ron Padgett, Manu Sassoonian, John
Tagliabue, John Hollander, Toby Olson, James Murphy, Elizabeth
Yazzetti, and Susan Schell.
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