Since its founding in 1969 by William Packard, The New York
Quarterly has been devoted to excellence in the publication of a
unique and fervent cross-section of contemporary American poetry
regardless of school of thought, style, or genre. Our only concern
is to focus on the craft that underlies effective poetry writing.
The New York Quarterly features works by both known and emerging
poets. The NYQ Craft Interviews present the views of some of our
most outstanding poets on the general subjects of style, prosody
and technique. The issues are rounded out with an essay or two on
the subject of contemporary American poetry that is both accessible
and meaningful to readers, poets, students, and teachers of poetry
alike. NYQ 30 features a craft interview with Robert Lax, an
editorial on conglomerate publishers, an essay by Robert Peters,
and poetry by William Stafford, Lola Haskins, Andrew Glaze, Stephen
Stepanchev, Helen Adam, Lyn Lifshin, Chris Brown, Tony Gloeggler,
Eliot Katz, Layle Silbert, Fred Moramarco, Norman Stock, Rudolf
Wittenberg, Rebecca Thompson, Pat Farewell, Rita Chabot, Charles
Bukowski, David Cope, Joan Seliger Sidney, Keith Rahmmings, Rupert
N. Sterling, Andrew Harvey, Carol Dunne, D. Nurske, Tom Hansen,
Steve Kowit, Michael Benson, Michael Brady, Carole Murphy, Gilbert
Honingfield, Nia Damali, J. R. Kangas, Bob Mehlman, Lorraine
Schein, William Marsh, Samuel Exler, Elizabeth Raymond, John Levy,
Walter McDonald, Francis J. Smith, Francis Sullivan, J. Jaworski,
Barbara Blatner, Harvey Hix, Seaborn Jones, Robert Kendall, Patrick
Worth Gray, Janet Waggener, Paul Dilsaver, Edward Willey, Dion
Pincus, and William Joyce.
General
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