The cult status of literary figures and their adulation are
phenomena that have been with us since antiquity. In many ways, the
19th century continues in this tradition. But for bourgeois society
the attitude to authors also takes on a specific, identity-forming
significance in its own right. 19th century author adulation
concentrates cultural and social forces. The study of attitudes to
authors invites inquiry into the pragmatics and performativity of
the aesthetic dimension, issues that have attracted substantially
increased attention over the last few years.
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