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Schulz und Schulz, Propsteikirche St. Trinitatis Leipzig: Opus 83, 1. (German, Hardcover)
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Schulz und Schulz, Propsteikirche St. Trinitatis Leipzig: Opus 83, 1. (German, Hardcover)
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Text in English & German. Three places mark the chequered
history of the provost church of St Trinitatis Leipzig. Not far
from the site of the present new building was the historic church
built in 1847 that was largely destroyed in World War Two. It took
almost three decades for this church finally to be replaced in
1982. At the insistence of the East-German authorities, however,
this building had to be erected in a suburb. Because of its
inconvenient location and also because the building had structural
damage from the very beginning, the congregation decided in 2008 to
take a chance on a new start in the city centre. The third church
of St Trinitatis, consecrated in 2015, is the largest Catholic
church to be built in East Germany since the political turnover of
1989/90. The new church is located not only in the centre of town,
but at a place that could not be more prominent: facing the large
complex of the Neues Rathaus. In 2009 a competition held for the
new church building with the adjacent parish centre was won by the
Leipzig architects Ansgar and Benedikt Schulz. Their clever use of
the triangular site particularly impressed the selection committee;
at the same time, with the compact body of the church on the east
and the tower on the west, they created two striking urban
landmarks. Between the tower and the church is the spacious
courtyard, which is open on two sides towards the surrounding area,
emphasising the congregations programmatic 'openness'. The complex
owes its homogenous appearance to the fact that all parts of the
buildings are clad with local porphyry, an igneous rock that
shimmers in delicate shades of red. While outwardly the church
looks quite hermetic, the interior, with an inside height of 14.5
m, surprises the visitor by its vibrant luminosity. The decisive
factor here is the skylight on the east side at a height of 22 m.
From a source that is invisible to the worshippers, zenith light
falls on the entire back wall behind the altar. In its disposition
the church interior follows the decisions of the Second Vatican
Council: separation between the priests space and the congregations
space is abolished, the high altar is replaced by a peoples altar,
and the faithful gather of the believers in communio around the
liturgical centre. In addition to his main activity as an
architecture publicist Wolf-gang Jean Stock was head of the
Deutsche Gesellschaft fur christ-liche Kunst and its gallery in
Munich for nine years. Considering his rigorous artistic attitude,
instinctively reminiscent of the work of Hilla and Bernd Becher,
there is a certain consistency about the fact that the photographer
Stefan Muller congenially creates images of the buildings of Owald
Mathias Ungers, Max Dudler, Kleihues + Kleihues or Schulz und
Schulz.
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