This book examines the genesis and development of haiku in Japan
and traces its impact on modernist poetics. This study shows that
the most pervasive East-West artistic, cultural, and literary
exchange that has taken place in modern and postmodern times was in
the reading and writing of haiku in the West. Hakutani roots Y.B
Yeats' symbolism in cross cultural visions; reveals Ezra Pound's
imagism to have originated in haiku; and discusses some of the
finest haiku written by Jack Kerouac, Richard Wright, Sonia
Sanchez, and James Emanuel.
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