This book explores the postmodernist aspects of Puccini's operas
and focuses on his female protagonists-Mim�, Musetta, Tosca,
Butterfly, Turandot and Li. Combining a Schenkerian analysis with
dualism, I present their complementary dialogue in my analysis.
Mim� focuses on the subdominant to present her futile attempts to
escape from death. The subdominant in Musetta displays her
attractiveness. Tosca concentrates on the submediant that presents
the boundary of her world. Floria Tosca can do no harm to anyone.
Yet, the diva will act out through the device of deceptive motion
killing Scarpia. Butterfly is both an insider and outsider in her
life. The Japanese Ying and Yang system portrays that she can never
abandon her inherent Japanese identity. Turandot explores Western
tonality as it is interwoven with the Chinese pentatonic system and
demonstrates how Turnadot is possessed by Lo-u-Ling. Li's sacrifice
is prefigured through pseudo-pentatonic writing. The book concludes
with an examination of Puccini's overall harmonic evolution,
showing how weakened hierarchic relationships in the music of these
six female characters allows exotic borrowings to be subsumed in a
tonal framework.
General
Imprint: |
VDM Verlag
|
Country of origin: |
Germany |
Release date: |
March 2009 |
First published: |
March 2009 |
Authors: |
Ya-Hui Cheng
|
Dimensions: |
229 x 152 x 14mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
252 |
ISBN-13: |
978-3-639-12940-3 |
Categories: |
Books >
Arts & Architecture >
Music >
General
Books >
Music >
General
|
LSN: |
3-639-12940-7 |
Barcode: |
9783639129403 |
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