As the second volume of a two-volume set on Chinese narratology,
this title investigates the perspective, image, and commenter that
form the characteristics of the Chinese narrative style. The first
chapter introduces two opposing concepts of perspective, the
“focalization” and “blind spot,” to connect
“perspective” with the traditional aesthetic law, highlighting
the mutual promotive relation of the non-existent and the existent.
The author believes that both the narrator and perspective are the
narrative forms and strategies adopted by Chinese writers and that
the study of the narrator and perspective is integral to
understanding the cultural, aesthetic, and philosophical
connotations of the narrative text and the spiritual world of its
writer. Drawing on perceptual phenomenology, the chapter on image
broadens the extant knowledge of “image” and points out that
image narration is unique to Chinese narratology and central to
Chinese aesthetics. The final chapter illustrating the achievements
of influential critics of classical Chinese novels proves that
these critics have contributed to the canonization of the genuine
masterpieces of Chinese narrative literature. The book is a
must-read for scholars and students interested in narrative theory,
Chinese culture and literature, and dialogue between Chinese and
Western narratological studies.
General
Imprint: |
Taylor & Francis
|
Country of origin: |
United Kingdom |
Series: |
China Perspectives |
Release date: |
November 2023 |
Firstpublished: |
2024 |
Authors: |
Yang Yi
|
Dimensions: |
234 x 156mm (L x W) |
Pages: |
280 |
ISBN-13: |
978-1-03-257906-1 |
Categories: |
Books
Promotions
|
LSN: |
1-03-257906-4 |
Barcode: |
9781032579061 |
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