In 'I Have a Weakness for a Touch of Red' the passionate art and
architecture critic Yehuda Emmanuel Safran collects a selection of
his essays on architects and artists from Portugal that he has
written since the 1980s. These are supplemented by further
contributions on the most influential representatives of modern
architecture. Through this historical and at the same time very
personal context, Safran places Portuguese architecture in an
unprecedented perspective for the international readership,
revealing the preservation of longstanding traditions as well as
the increasing desire of an emerging generation that has, to an
extent, overcome those traditions.
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