Brilliantly introduced by Nezar Andary, this book is a work of
creative nonfiction that approaches writing on film in a fresh and
provocative way. It draws on academic, literary, and personal
material to start a dialogue with the Egyptian filmmaker Shadi
Abdel Salam's The Mummy (1969), tracing the many meanings of
Egypt's postcolonial modernity and touching on Arab, Muslim, and
ancient Egyptian identities through watching the film.
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