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On the Motion & Immobility of Douve - Du mouvement et de l'immobilite de Douve (English, French, Paperback, Bilingual 'facing page' edition)
Loot Price: R232
Discovery Miles 2 320
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On the Motion & Immobility of Douve - Du mouvement et de l'immobilite de Douve (English, French, Paperback, Bilingual 'facing page' edition)
Series: Bloodaxe Contemporary French Poets
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List price R254
Loot Price R232
Discovery Miles 2 320
You Save R22 (9%)
Expected to ship within 9 - 15 working days
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Yves Bonnefoy (1923-2016) was a central figure in post-war French
culture, with a lifelong fascination with the problems of
translation. Language, for him, was a visceral, intensely material
element in our existence, and yet the abstract quality of words
distorts the immediate, material quality of our contact with the
world. This concern with what separates words from an essential
truth hidden in objects involved him in wide-ranging philosophical
and theological investigations of the spiritual and the sacred. But
for all his intellectual drive and rigour, Bonnefoy's poetry is
essentially of the concrete and the tangible, and addresses itself
to our most familiar and intimate experiences of objects and of
each other. In his first book of poetry, published in France in
1953, Bonnefoy reflects on the value and mechanism of language in a
series of short variations on the life and death of a much loved
woman, Douve. Douve, though, is the French word for a moat, that
uncrossable body which separates us from safety and from danger.
With this undercurrent at work we read the poems as if they are
about the divide between us and death as much as they are about the
divide between us and the untouchable reality of text. This is
dangerous writing, fulfilling Derrida's "fatal necessity" by making
us substitute the textual sign for reality. In his introduction,
Timothy Mathews shows how Bonnefoy's poetics are enmeshed with his
philosophical, religious and critical thought.
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