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Nothing but Noise - Timbre and Musical Meaning at the Edge (Hardcover)
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Nothing but Noise - Timbre and Musical Meaning at the Edge (Hardcover)
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Nothing but Noise: Timbre and Musical Meaning at the Edge explores
how timbre shapes musical affect and meaning. Integrating
perspectives from musicology with the cognitive sciences, author
Zachary Wallmark advances a novel model of timbre interpretation
that takes into account the bodily, sensorimotor dynamics of sound
production and perception. The contribution of timbre to musical
experience is clearest in drastic situations where meaning is
itself contested; that is, in polarizing contexts of reception
where evaluation of "musical" timbre by some listeners collides
headlong against a competing claim-that it is just "noise." Taking
this ubiquitous moment as a starting point, the book explores
affect, reception, and timbre semantics through diverse
cultural-historical case studies that frustrate the acoustic and
perceptual boundary between musical sound and noise. Nothing but
Noise includes chapters on the racial and gender politics in the
reception of free jazz saxophone "screaming" in the late 1960s; an
analysis of contested timbral ideals in the performance practices
of the Japanese shakuhachi flute; and an historical examination of
the overlooked role of "brutal" timbres in the moral panic over
heavy metal in the eighties and nineties. The book closes with a
discussion of the slippery social fault lines separating
perceptions of musical sound from noise and the ethical stakes of
encountering another's "aural face."
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