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Reflections on Dream of the Red Chamber (Hardcover, New)
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Reflections on Dream of the Red Chamber (Hardcover, New)
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This book is the much awaited English translation of Liu Zaifu's
book, Reflections on Dream of the Red Chamber. The book consists of
three parts-reflections on Dream of the Red Chamber, comments on
Dream of the Red Chamber, and discussions on Dream of the Red
Chamber. There is also an appendix, "A Discussion of the Philosophy
in Dream of the Red Chamber," a speech delivered by Liu Zaifu at
the Institute of Philosophy, Central University and at the Chinese
Department of Tunghai University, Taiwan, in December 2005. The
first part comprises two hundred and four personal reflections on
all aspects of Dream of the Red Chamber, the undisputed best
traditional novel in China. The second part contains three essays
on the spiritual value of the novel, the feeling of repentance and
the transcendental philosophical viewpoint in the novel. The third
part includes thirteen discussions of various characters and
episodes in the novel. The appendix discusses the philosophy in the
novel. As the best traditional novel in Chinese literature, Dream
of the Red Chamber has attracted a tremendous amount of critical
attention over the last hundred years and has given rise to a
scholarly field commonly referred to as "redology." In contrast to
the works on the novel by other scholars, Liu's book stands out
with its personal, intuitive approach. Instead of engaging himself
in evidential research, as many scholars in the field have done,
Liu reflects on the spiritual orientation and the philosophical
implications in the novel from a personal perspective. In so doing
he infuses his reflections with his personal experience, his
interpretations of works in Chinese literature and world
literature, and hisphilosophical views. Influenced by Zen, Liu's
book makes a connection between Dream of the Red Chamber and real
life as it exalts the values and philosophical understandings in
the novel. Reflections on Dream of the Red Chamber, with its highly
original approach to its subject, will be an essential resource for
English-speaking readers interested in the classical novel as well
as those interested in contemporary literary criticism in China.
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