Contemporary culture is haunted by its media. Yet in their
ubiquity, digital media have become increasingly banal, making it
harder for us to register their novelty or the scope of the social
changes they have wrought. What do we learn about our media
environment when we look closely at the ways novelists and
filmmakers narrate and depict banal use of everyday technologies?
How do we encounter our own media use in scenes of waiting for
e-mail, watching eBay bids, programming as work, and worrying about
numbers of social media likes, friends, and followers? Zara Dinnen
analyzes a range of prominent contemporary novels, films, and
artworks to contend that we live in the condition of the "digital
banal," not noticing the affective and political novelty of our
relationship to digital media. Authors like Jennifer Egan, Dave
Eggers, Sheila Heti, Jonathan Lethem, Gary Shteyngart, Colson
Whitehead, Mark Amerika, Ellen Ullman, and Danica Novgorodoff and
films such as The Social Network and Catfish critique and reveal
the ways in which digital labor isolates the individual; how the
work of programming has become an operation of power; and the
continuation of the "Californian ideology," which has folded the
radical into the rote and the imaginary into the mundane. The works
of these writers and artists, Dinnen argues, also offer ways of
resisting the more troubling aspects of the effects of new
technologies, as well as timely methods for seeing the digital
banal as a politics of suppression. Bridging the gap between
literary studies and media studies, The Digital Banal recovers the
shrouded disturbances that can help us recognize and antagonize our
media environment.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!