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Arts & Crafts > Fine Art Supplies Showing 1 - 25 of 296 matches in Fine Art Supplies
Lascaux Studio Original is a universal acrylic paint for use in art, design and decoration. A time - honoured colour of supreme quality, it is highly versatile and suitable for all painting techniques. The Studio Original Colour range now consists of 50 tones in addition to 8 luminous bronze colours prepared from pure metallic bronzes.
Lascaux Gouache is a unique acrylic-modified tempera paint for use in art and design as well as in education. This colour programme consists of 34 balanced hues, including silver and gold. Lascaux Gouache is characterised by its purity, brilliance, depth of colour and lightfastness. • Highly concentrated • Lightfast, permanent and non-yellowing • Dries to a velvety, elastic water-soluble finish • Thick and smooth consistency • Excellent covering power • Hues remain intensive even when heavily diluted • Adheres well to various supports • Barely lighter in colour when dry • Highly concentrated and extremely yielding Lascaux Gouache can be applied to all absorbent materials - eg. paper, cardboard, canvas, wood, plaster etc. Because it is highly concentrated this paint retains its intensity even when diluted 1:1 or more. Thus, this tempera colour can be applied undiluted and opaque or diluted with water to obtain different glazings in any desired shade. Thanks to a special binder, Lascaux Gouache applies with unusual ease and suppleness. A previous layer of colour can be over painted at any time without being dissolved by a subsequent paint layer.
PO73 PY139, Semi-Opaque, Very Good LightfastnessLascaux Studio Original is a universal acrylic paint for use in art, design and decoration. A time - honoured colour of supreme quality, it is highly versatile and suitable for all painting techniques.Properties:• highly pigmented• lightfast, non-ageing and non-yellowing• optimally weather-resistant• water-resistant when dry • very good coating flexibility• minimal colour difference when wet or dry• gloss level: semi-gloss and uniform • consistency: viscous, smooth and soft• opacity: the uniform covering power is ideal for effortless creation of monochrome surfaces• working properties: good coatability and consistent luminosity with maximum coverage• optimal adhesion: to practically any fat-free surface• usage: extremely concentrated and high-yieldingUsage:• for art, design and decoration• for all painting techniques (including airbrush and screen printing)• ideal for murals and large surfacesApplications:Lascaux Studio Original can be applied with all painting tools either directly from the bottle or diluted with water (20%). The result is a firm elastic colour, which can be painted over in optional layers, whereupon the tone remains unchanged.Priming:According to the absorption level and texture desired, we offer corresponding products for rigid and flexible base coats (Lascaux Primer and Modelling Pastes).Mixing:In combination with Lascaux painting mediums, Lascaux Studio Original can be harmonised to suit any painting technique: from deep matt to very glossy glazes, from velvety surfaces to textured impastos.Varnishing:All acrylic works can be lastingly protected with Lascaux Transparent Varnishes and are subsequently easy to clean. A transparent varnish with an UV-absorber is available for outdoor applications.Composition:Lascaux Studio Original consists of lightfast pigments and selected pure acrylics.
PV23 PR122, Excellent lightfastness.Lascaux Aquacryl combine two worlds: they perform as an acrylic paint, yet are as transparent and light as watercolours. Lascaux Aquacryl is suitable not only for traditional watercolour techniques but also for luminous glazes on large formats. The range is highly pigmented, non-ageing and non-yellowing. They are easily soluble when dry and result in a matt finish. They consist of fine, pure, lightfast pigments and water soluble age-resistant acrylic resin.The paint can be applied directly or diluted, not only on water colour paper but on virtually any firm, porous surface with the use of brush, airbrush and a variety of other painting tools. No matter what the concentration, it dries to a velvety matt finish, durably preserving the richness and intensity of colour. Thin applications dry in such a manner that they can be overpainted without dissolving previously applied layers. Conversely, thickly applied layers can be dissolved to produce washes.Lascaux Gesso is recommended as a primer. To achieve a fine-grained texture, Lascaux Structura is especially suitable. By mixing with acrylic mediums, the paints become waterproof. Lascaux Aquacryl can be used in combination with acrylic paints as a mixed technique. Works are permanently protected with Lascaux Fixative without causing any essential change to their character.
Lascaux Wash resist has been specially designed as part of the acrylic-resist etching system and should be used in combination with Lascaux Aquatint spray resist. This unique acid resist is painted on etching plates to create washes and tonal effects. They are particularly effective on brass and copper.
PR170, Very good lightfastness.Lascaux Aquacryl combine two worlds: they perform as an acrylic paint, yet are as transparent and light as watercolours. Lascaux Aquacryl is suitable not only for traditional watercolour techniques but also for luminous glazes on large formats. The range is highly pigmented, non-ageing and non-yellowing. They are easily soluble when dry and result in a matt finish. They consist of fine, pure, lightfast pigments and water soluble age-resistant acrylic resin.The paint can be applied directly or diluted, not only on water colour paper but on virtually any firm, porous surface with the use of brush, airbrush and a variety of other painting tools. No matter what the concentration, it dries to a velvety matt finish, durably preserving the richness and intensity of colour. Thin applications dry in such a manner that they can be overpainted without dissolving previously applied layers. Conversely, thickly applied layers can be dissolved to produce washes.Lascaux Gesso is recommended as a primer. To achieve a fine-grained texture, Lascaux Structura is especially suitable. By mixing with acrylic mediums, the paints become waterproof. Lascaux Aquacryl can be used in combination with acrylic paints as a mixed technique. Works are permanently protected with Lascaux Fixative without causing any essential change to their character.
Lascaux Plate-backing resist has been specially designed as part of the acrylic-resist etching system. This new generation acid resist is painted onto the back and the edges of etching plates to protect the metal from the action of the mordant. Lascaux Plate-backing resist is water-soluble, ready to use, non-toxic and suitable for use on copper, brass, zinc, steel and aluminium. This red coloured resist is highly acid-resistant, durable and scratch-resistant. It may be used on unbitten or previously etched (e.g. aquatint, deep open bite) and is compatible with the other Lascaux resists and photopolymer resists such as Photec. The resist may also be used to create a variety of effects on collagraph plates
Lascaux Gouache is a unique acrylic-modified tempera paint for use in art and design as well as in education. This colour programme consists of 34 balanced hues, including silver and gold. Lascaux Gouache is characterised by its purity, brilliance, depth of colour and lightfastness. • Highly concentrated • Lightfast, permanent and non-yellowing • Dries to a velvety, elastic water-soluble finish • Thick and smooth consistency • Excellent covering power • Hues remain intensive even when heavily diluted • Adheres well to various supports • Barely lighter in colour when dry • Highly concentrated and extremely yielding Lascaux Gouache can be applied to all absorbent materials - eg. paper, cardboard, canvas, wood, plaster etc. Because it is highly concentrated this paint retains its intensity even when diluted 1:1 or more. Thus, this tempera colour can be applied undiluted and opaque or diluted with water to obtain different glazings in any desired shade. Thanks to a special binder, Lascaux Gouache applies with unusual ease and suppleness. A previous layer of colour can be over painted at any time without being dissolved by a subsequent paint layer.
PV23, Excellent ligthfastness.Lascaux Aquacryl combine two worlds: they perform as an acrylic paint, yet are as transparent and light as watercolours. Lascaux Aquacryl is suitable not only for traditional watercolour techniques but also for luminous glazes on large formats. The range is highly pigmented, non-ageing and non-yellowing. They are easily soluble when dry and result in a matt finish. They consist of fine, pure, lightfast pigments and water soluble age-resistant acrylic resin.The paint can be applied directly or diluted, not only on water colour paper but on virtually any firm, porous surface with the use of brush, airbrush and a variety of other painting tools. No matter what the concentration, it dries to a velvety matt finish, durably preserving the richness and intensity of colour. Thin applications dry in such a manner that they can be overpainted without dissolving previously applied layers. Conversely, thickly applied layers can be dissolved to produce washes.Lascaux Gesso is recommended as a primer. To achieve a fine-grained texture, Lascaux Structura is especially suitable. By mixing with acrylic mediums, the paints become waterproof. Lascaux Aquacryl can be used in combination with acrylic paints as a mixed technique. Works are permanently protected with Lascaux Fixative without causing any essential change to their character.
PR9, Very good lightfastness. Lascaux Aquacryl combine two worlds: they perform as an acrylic paint, yet are as transparent and light as watercolours. Lascaux Aquacryl is suitable not only for traditional watercolour techniques but also for luminous glazes on large formats. The range is highly pigmented, non-ageing and non-yellowing. They are easily soluble when dry and result in a matt finish. They consist of fine, pure, lightfast pigments and water soluble age-resistant acrylic resin.The paint can be applied directly or diluted, not only on water colour paper but on virtually any firm, porous surface with the use of brush, airbrush and a variety of other painting tools. No matter what the concentration, it dries to a velvety matt finish, durably preserving the richness and intensity of colour. Thin applications dry in such a manner that they can be overpainted without dissolving previously applied layers. Conversely, thickly applied layers can be dissolved to produce washes.Lascaux Gesso is recommended as a primer. To achieve a fine-grained texture, Lascaux Structura is especially suitable. By mixing with acrylic mediums, the paints become waterproof. Lascaux Aquacryl can be used in combination with acrylic paints as a mixed technique. Works are permanently protected with Lascaux Fixative without causing any essential change to their character.
PB15, Excellent lightfastness.Lascaux Aquacryl combine two worlds: they perform as an acrylic paint, yet are as transparent and light as watercolours. Lascaux Aquacryl is suitable not only for traditional watercolour techniques but also for luminous glazes on large formats. The range is highly pigmented, non-ageing and non-yellowing. They are easily soluble when dry and result in a matt finish. They consist of fine, pure, lightfast pigments and water soluble age-resistant acrylic resin.The paint can be applied directly or diluted, not only on water colour paper but on virtually any firm, porous surface with the use of brush, airbrush and a variety of other painting tools. No matter what the concentration, it dries to a velvety matt finish, durably preserving the richness and intensity of colour. Thin applications dry in such a manner that they can be overpainted without dissolving previously applied layers. Conversely, thickly applied layers can be dissolved to produce washes.Lascaux Gesso is recommended as a primer. To achieve a fine-grained texture, Lascaux Structura is especially suitable. By mixing with acrylic mediums, the paints become waterproof. Lascaux Aquacryl can be used in combination with acrylic paints as a mixed technique. Works are permanently protected with Lascaux Fixative without causing any essential change to their character.
This new-generation acid resist has been specially designed as part of the acrylic-resist etching system. The lines, marks and textures which can be generated by using this resist in its soft state are comparable to those offered by traditional soft grounds (soft drawn marks and collage textures). Lascaux Soft resist is water-soluble, ready to use, nontoxic and suitable for use on copper, brass, zinc, steel and aluminium. This slow drying resist is designed to offset easily, allowing a range of image-making methods to be explored. When the layer of resist is dry it may be drawn into with a range of etching tools or stopped-out. It is compatible with the other Lascaux resists and photopolymer resists such as Photec.
Lascaux Stop-out resist has been specially designed as part of the acrylic-resist etching system. This coloured resist is fluid and can be easily painted onto plates to create images, make corrections to plates or used for stopping-out. It can be drawn into with etching tools when dry. Lascaux Stop-out resist is water-soluble, ready to use, non-toxic and suitable for use on copper, brass, zinc, steel and aluminium. The resist is highly acid-resistant and durable on unbitten or previously etched plates (e.g. aquatint, deep open bite). It is compatible with the other Lascaux resists and photopolymer resists such as Photec. Lascaux Stop-out resist may also be used to create a variety of effects on collagraph plates.
PB29 PW6, Opaque, Excellent LightfastnessLascaux Studio Original is a universal acrylic paint for use in art, design and decoration. A time - honoured colour of supreme quality, it is highly versatile and suitable for all painting techniques.Properties:• highly pigmented• lightfast, non-ageing and non-yellowing• optimally weather-resistant• water-resistant when dry • very good coating flexibility• minimal colour difference when wet or dry• |