Colour number/code: 465

Series number: 1

Chemical Description: Complex sodium alumino-silicate containing sulphur, Carbon black, Copper phthalocyanine

Colour index name: PB29, PBk7, PB15

Colour index number: 77007, 77266, 74160

Permanence rating: A

ASTM Lightfastness Rating: -

Transparency/Opacity: T

Granulating/Staining: -



The range of 40 colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment itself. The resultant colour spectrum ensures the largest number of colours can be mixed.

The Cotman Water Colour range has a more uniform consistency than the Artists' Water Colour range and this benefits beginners as there is less to learn about each individual pigment. The Cotman Water Colour range also relates to the Winsor & Newton Artists' Water Colour range, this enables artists to use colours from both ranges with minimal adjustment to their technique.

Colour number/code: 552

Series number: 1

Chemical Description: Synthetic iron oxide, Synthetic iron oxide

Colour index name: PY42, PR101

Colour index number: 77492, 77491

Permanence rating: AA

ASTM Lightfastness Rating: I

Transparency/Opacity: T

Granulating/Staining: -



The range of 40 colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment itself. The resultant colour spectrum ensures the largest number of colours can be mixed.

The Cotman Water Colour range has a more uniform consistency than the Artists' Water Colour range and this benefits beginners as there is less to learn about each individual pigment. The Cotman Water Colour range also relates to the Winsor & Newton Artists' Water Colour range, this enables artists to use colours from both ranges with minimal adjustment to their technique.

Colour number/code: 179

Series number: 1

Chemical Description: Complex sodium alumino-silicate containing sulphur, Coprecipitated zinc sulphide/ barium sulphate

Colour index name: PB29, PW5

Colour index number: 77007, 77115

Permanence rating: A(iii)

ASTM Lightfastness Rating: I

Transparency/Opacity: T

Granulating/Staining: -



The range of 40 colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment itself. The resultant colour spectrum ensures the largest number of colours can be mixed.

The Cotman Water Colour range has a more uniform consistency than the Artists' Water Colour range and this benefits beginners as there is less to learn about each individual pigment. The Cotman Water Colour range also relates to the Winsor & Newton Artists' Water Colour range, this enables artists to use colours from both ranges with minimal adjustment to their technique.

Color number/code: 76

Series number: 1

Chemical Description: Synthetic iron oxide, Calcined natural iron oxide

Color index name: PY42, PBr7

Color index number: 77492, 77491

Permanence rating: AA

ASTM Lightfastness Rating: I

Transparency/Opacity: O

Granulating/Staining: -

Colour number/code: 346

Series number: 1

Chemical Description: Benzimidazolone yellow H6G

Colour index name: PY175

Colour index number: 11784

Permanence rating: A

ASTM Lightfastness Rating: -

Transparency/Opacity: T

Granulating/Staining: -



The range of 40 colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment itself. The resultant colour spectrum ensures the largest number of colours can be mixed.

The Cotman Water Colour range has a more uniform consistency than the Artists' Water Colour range and this benefits beginners as there is less to learn about each individual pigment. The Cotman Water Colour range also relates to the Winsor & Newton Artists' Water Colour range, this enables artists to use colours from both ranges with minimal adjustment to their technique.

Colour number/code: 554

Series number: 1

Chemical Description: Natural iron oxide, Synthetic iron oxide

Colour index name: PBr7, PY42

Colour index number: 77492, 77492

Permanence rating: AA

ASTM Lightfastness Rating: I

Transparency/Opacity: T

Granulating/Staining: -



The range of 40 colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment itself. The resultant colour spectrum ensures the largest number of colours can be mixed.

The Cotman Water Colour range has a more uniform consistency than the Artists' Water Colour range and this benefits beginners as there is less to learn about each individual pigment. The Cotman Water Colour range also relates to the Winsor & Newton Artists' Water Colour range, this enables artists to use colours from both ranges with minimal adjustment to their technique.

Colour number/code: 109

Series number: 1

Chemical Description: Arylide yellow FGL, Arylide yellow RN

Colour index name: PY97, PY65

Colour index number: 11767, 11740

Permanence rating: A

ASTM Lightfastness Rating: II

Transparency/Opacity: T

Granulating/Staining: St



The range of 40 colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment itself. The resultant colour spectrum ensures the largest number of colours can be mixed.

The Cotman Water Colour range has a more uniform consistency than the Artists' Water Colour range and this benefits beginners as there is less to learn about each individual pigment. The Cotman Water Colour range also relates to the Winsor & Newton Artists' Water Colour range, this enables artists to use colours from both ranges with minimal adjustment to their technique.

Colour number/code: 98

Series number: 1

Chemical Description: Naphthol AS, Pyrrole

Colour index name: PR188, PR254

Colour index number: 12467, -

Permanence rating: A

ASTM Lightfastness Rating: -

Transparency/Opacity: T

Granulating/Staining: St



The range of 40 colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment itself. The resultant colour spectrum ensures the largest number of colours can be mixed.

The Cotman Water Colour range has a more uniform consistency than the Artists' Water Colour range and this benefits beginners as there is less to learn about each individual pigment. The Cotman Water Colour range also relates to the Winsor & Newton Artists' Water Colour range, this enables artists to use colours from both ranges with minimal adjustment to their technique.

Colour number/code: 312

Series number: 1

Chemical Description: Copper phthalocyanine, Chlorinated copper phthalocyanine, Quinacridone

Colour index name: PB15, PG7, PO49Color index number: 74160, 74250, 73900

Permanence rating: A

ASTM Lightfastness Rating: -

Transparency/Opacity: T

Granulating/Staining: St



The range of 40 colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment itself. The resultant colour spectrum ensures the largest number of colours can be mixed.

The Cotman Water Colour range has a more uniform consistency than the Artists' Water Colour range and this benefits beginners as there is less to learn about each individual pigment. The Cotman Water Colour range also relates to the Winsor & Newton Artists' Water Colour range, this enables artists to use colours from both ranges with minimal adjustment to their technique.

Colour number/code: 660

Series number: 1

Chemical Description: Complex sodium alumino-silicate containing sulphur

Colour index name: PB29

Colour index number: 77007

Permanence rating: A(iii)

ASTM Lightfastness Rating: I

Transparency/Opacity: T

Granulating/Staining: G



The range of 40 colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment itself. The resultant colour spectrum ensures the largest number of colours can be mixed.

The Cotman Water Colour range has a more uniform consistency than the Artists' Water Colour range and this benefits beginners as there is less to learn about each individual pigment. The Cotman Water Colour range also relates to the Winsor & Newton Artists' Water Colour range, this enables artists to use colours from both ranges with minimal adjustment to their technique.

Highly transparent with a blue undertone, Permanent Alizarin Crimson is a vivid red colour. Introduced in 1994, it has been formulated as a highly permanent red pigment.

Bright and beautiful, this accessible range of 55 colours is perfect for artists who need large quantities of colour. All of the paints have been carefully made to bring out the best of each pigment, so you can create bold and lightfast artworks. We think you'll be very pleased with the results.

Made from high-quality pigments, Winton Oil Colours are durable, lightfast and permanent. Delivering consistent colour every time, their ready-to-use formulation in means you can effortlessly work at any scale. Increasing the choice and range with eight new accessible colours, your palette can be broader than ever. Explore the enhanced spectrum for yourself.

Cadmium Yellow Hue is a cool, bright yellow colour. It is an opaque colour closely resembling genuine Cadmium Lemon.

Bright and beautiful, this accessible range of 55 colours is perfect for artists who need large quantities of colour. All of the paints have been carefully made to bring out the best of each pigment, so you can create bold and lightfast artworks. We think you'll be very pleased with the results.

Made from high-quality pigments, Winton Oil Colours are durable, lightfast and permanent. Delivering consistent colour every time, their ready-to-use formulation in means you can effortlessly work at any scale. Increasing the choice and range with eight new accessible colours, your palette can be broader than ever. Explore the enhanced spectrum for yourself.

Cadmium Yellow Hue is a warm yellow colour. It is a versatile rich mid-range yellow.

Bright and beautiful, this accessible range of 55 colours is perfect for artists who need large quantities of colour. All of the paints have been carefully made to bring out the best of each pigment, so you can create bold and lightfast artworks. We think you'll be very pleased with the results.

Made from high-quality pigments, Winton Oil Colours are durable, lightfast and permanent. Delivering consistent colour every time, their ready-to-use formulation in means you can effortlessly work at any scale. Increasing the choice and range with eight new accessible colours, your palette can be broader than ever. Explore the enhanced spectrum for yourself.

Ivory black is a stable all-round black colour with brown undertones and excellent tinting powers. Its name stems from the traditional method for obtaining it: roasting elephant tusks.

Bright and beautiful, this accessible range of 55 colours is perfect for artists who need large quantities of colour. All of the paints have been carefully made to bring out the best of each pigment, so you can create bold and lightfast artworks. We think you'll be very pleased with the results.

Made from high-quality pigments, Winton Oil Colours are durable, lightfast and permanent. Delivering consistent colour every time, their ready-to-use formulation in means you can effortlessly work at any scale. Increasing the choice and range with eight new accessible colours, your palette can be broader than ever. Explore the enhanced spectrum for yourself.

Burnt Sienna is a rich brown pigment made by burning Raw Sienna. Named after Siena in Italy, where the pigment was sourced during the Renaissance, it is a transparent pigment with red-brown tones.

Bright and beautiful, this accessible range of 55 colours is perfect for artists who need large quantities of colour. All of the paints have been carefully made to bring out the best of each pigment, so you can create bold and lightfast artworks. We think you'll be very pleased with the results.

Made from high-quality pigments, Winton Oil Colours are durable, lightfast and permanent. Delivering consistent colour every time, their ready-to-use formulation in means you can effortlessly work at any scale. Increasing the choice and range with eight new accessible colours, your palette can be broader than ever. Explore the enhanced spectrum for yourself.

Colour number/code: 398

Series number: 1

Chemical Description: Quinacridone, Carbazole dioxazine

Colour index name: PR122, PV23

Colour index number: 73915, 5319

Permanence rating: A

ASTM Lightfastness Rating: -

Transparency/Opacity: T

Granulating/Staining: -



The range of 40 colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment itself. The resultant colour spectrum ensures the largest number of colours can be mixed.

The Cotman Water Colour range has a more uniform consistency than the Artists' Water Colour range and this benefits beginners as there is less to learn about each individual pigment. The Cotman Water Colour range also relates to the Winsor & Newton Artists' Water Colour range, this enables artists to use colours from both ranges with minimal adjustment to their technique.

Colour number/code: 362

Series number: 1

Chemical Description: Synthetic iron oxide

Colour index name: PR101

Colour index number: 77491

Permanence rating: AA

ASTM Lightfastness Rating: I

Transparency/Opacity: O

Granulating/Staining: -



The range of 40 colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment itself. The resultant colour spectrum ensures the largest number of colours can be mixed.

The Cotman Water Colour range has a more uniform consistency than the Artists' Water Colour range and this benefits beginners as there is less to learn about each individual pigment. The Cotman Water Colour range also relates to the Winsor & Newton Artists' Water Colour range, this enables artists to use colours from both ranges with minimal adjustment to their technique.

Colour number/code: 314

Series number: 1

Chemical Description: Copper phthalocyanine, Quinacridone, Chlorinated copper phthalocyanine

Colour index name: PB15, PO49, PG7

Colour index number: 74160, 73900, 74260

Permanence rating: A

ASTM Lightfastness Rating: -

Transparency/Opacity: T

Granulating/Staining: St



The range of 40 colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment itself. The resultant colour spectrum ensures the largest number of colours can be mixed.

The Cotman Water Colour range has a more uniform consistency than the Artists' Water Colour range and this benefits beginners as there is less to learn about each individual pigment. The Cotman Water Colour range also relates to the Winsor & Newton Artists' Water Colour range, this enables artists to use colours from both ranges with minimal adjustment to their technique.

Colour number/code: 266

Series number: 1

Chemical Description: Quinacridone, Azo Nickel Complex

Colour index name: PR209 PY150

Colour index number: 48545

Permanence rating: A

ASTM Lightfastness Rating: II

Transparency/Opacity: T

Granulating/Staining: -



The range of 40 colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment itself. The resultant colour spectrum ensures the largest number of colours can be mixed.

The Cotman Water Colour range has a more uniform consistency than the Artists' Water Colour range and this benefits beginners as there is less to learn about each individual pigment. The Cotman Water Colour range also relates to the Winsor & Newton Artists' Water Colour range, this enables artists to use colours from both ranges with minimal adjustment to their technique.

New Gamboge - pigment change Originally produced using Gamboge, a coloured gum from the Garcinia plant, Artists' Water Colour Gamboge was discontinued in 2005, due to its toxic characteristics. Its replacement was a different shade, due to the pigments available and renamed New Gamboge. Due to the above pigment discontinuation, New Gamboge, in both Professional Water Colour and Cotman, has been reformulated once again and, with advances in pigment technology, the colour is much closer to its original namesake, delivering greater authenticity within the spectrum. The pigments have changed from Nickel Dioxine PY153 to Quinacridone PR209 & Azo Nickel Complex PY150

Colour number/code: 235

Series number: 1

Chemical Description: Chlorinated copper phthalocyanine, Benzimidazolone yellow H6G

Colour index name: PG7, PY175

Colour index number: 74260, 11784

Permanence rating: A

ASTM Lightfastness Rating: -

Transparency/Opacity: O

Granulating/Staining: -



The range of 40 colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment itself. The resultant colour spectrum ensures the largest number of colours can be mixed.

The Cotman Water Colour range has a more uniform consistency than the Artists' Water Colour range and this benefits beginners as there is less to learn about each individual pigment. The Cotman Water Colour range also relates to the Winsor & Newton Artists' Water Colour range, this enables artists to use colours from both ranges with minimal adjustment to their technique.

Colour number/code: 119

Series number: 1

Chemical Description: Arylide yellow RN, Benzimidazolone yellow H6G

Colour index name: PY65, PY175

Colour index number: 11740, 11784

Permanence rating: A

ASTM Lightfastness Rating: -

Transparency/Opacity: T

Granulating/Staining: St



The range of 40 colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment itself. The resultant colour spectrum ensures the largest number of colours can be mixed.

The Cotman Water Colour range has a more uniform consistency than the Artists' Water Colour range and this benefits beginners as there is less to learn about each individual pigment. The Cotman Water Colour range also relates to the Winsor & Newton Artists' Water Colour range, this enables artists to use colours from both ranges with minimal adjustment to their technique.

Colour number/code: 599

Series number: 1

Chemical Description: Brominated copper phthalocyanine, Quinacridone

Colour index name: PG36, PO49

Colour index number: 74265, 73900

Permanence rating: A

ASTM Lightfastness Rating: -

Transparency/Opacity: T

Granulating/Staining: St



The range of 40 colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment itself. The resultant colour spectrum ensures the largest number of colours can be mixed.

The Cotman Water Colour range has a more uniform consistency than the Artists' Water Colour range and this benefits beginners as there is less to learn about each individual pigment. The Cotman Water Colour range also relates to the Winsor & Newton Artists' Water Colour range, this enables artists to use colours from both ranges with minimal adjustment to their technique.

Colour number/code: 580

Series number: 1

Chemical Description: Quinacridone pyrrolidone, Quinacridone

Colour index name: - , PR206

Colour index number: - , -

Permanence rating: A

ASTM Lightfastness Rating: -

Transparency/Opacity: T

Granulating/Staining: -



The range of 40 colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment itself. The resultant colour spectrum ensures the largest number of colours can be mixed.

The Cotman Water Colour range has a more uniform consistency than the Artists' Water Colour range and this benefits beginners as there is less to learn about each individual pigment. The Cotman Water Colour range also relates to the Winsor & Newton Artists' Water Colour range, this enables artists to use colours from both ranges with minimal adjustment to their technique.

Colour number/code: 538

Series number: 1

Chemical Description: Alkali ferriferrocyanide

Colour index name: PB27

Colour index number: 77510

Permanence rating: A(iv)

ASTM Lightfastness Rating: I

Transparency/Opacity: T

Granulating/Staining: -



The range of 40 colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment itself. The resultant colour spectrum ensures the largest number of colours can be mixed.

The Cotman Water Colour range has a more uniform consistency than the Artists' Water Colour range and this benefits beginners as there is less to learn about each individual pigment. The Cotman Water Colour range also relates to the Winsor & Newton Artists' Water Colour range, this enables artists to use colours from both ranges with minimal adjustment to their technique.

Colour number/code: 502

Series number: 1

Chemical Description: Quinacridone violet

Colour index name: PV19

Colour index number: 46500

Permanence rating: A

ASTM Lightfastness Rating: II

Transparency/Opacity: T

Granulating/Staining: St



The range of 40 colours are chosen according to mass tone (colour from tube), undertone (bias of colour when in a thin film), colour strength, relative opacity and the character of the pigment itself. The resultant colour spectrum ensures the largest number of colours can be mixed.

The Cotman Water Colour range has a more uniform consistency than the Artists' Water Colour range and this benefits beginners as there is less to learn about each individual pigment. The Cotman Water Colour range also relates to the Winsor & Newton Artists' Water Colour range, this enables artists to use colours from both ranges with minimal adjustment to their technique.