The full story of Taylor Swift's stratospheric rise to fame; all any dedicated Swifty needs to know about the pop superstar who's taking over the world. A small-town girl with an incredible talent, and the strength to realise her dream, Taylor has grown into an award-winning, chart-topping artist and worldwide star, as well as a strong and stylish woman. But how did she get there? And what lies in store for her in the future? From childhood dreams of a musical future in Pennsylvania, to determined and budding teen musician with a trademark she's stayed faithful to ever since: honest lyrics about real-life events; her fight to be taken seriously in the music industry, through to the rewards of success and the intense pressure of expectation, Taylor Swift: The Whole Story is a full account of Taylor's incredible journey, with everything you need to know about America's Sweetheart. This compelling book is packed full of fascinating details revealing the true Taylor - what drives, motivates and moves her, how she overcame the challenges that loomed on the road to fame and looks at how authentic her wholesome image is, plus the truth about her relationships with Harry Styles, Jake Gyllenhaal and Conor Kennedy and who she's really talking about on her tracks. The full portrait of a girl who could so easily have faded into the background - but who blossomed in the spotlight into a grounded, graceful and inspiring young woman.

For two months every winter, when Pacific storms make landfall, Oahu's paradisical North Shore turns into a fiery hell. Its population more than triples as mainlanders, Brazilians, Australians, and Europeans transform the normally sleepy shore into a lawless, violent, drug-addled, and adrenaline-soaked mecca where fearless men paddle into thirty-foot waves breaking over a razor-sharp reef. And when the sun goes down, the true danger comes out as drug money, fights, murder, and extortion rule the surfing underworld. The North Shore during winter is downright dangerous but also exhilarating, and Chas Smith paints a true picture of what it feels like to be in the middle of it all. Welcome to Paradise, Now Go to Hell is both a breathtaking and wildly funny tale of beauty, wickedness, and the unyielding allure of ocean waves in all their glory.

The coronation of George VI on 12 May 1937 was one of the biggest media events of the interwar period. While other photographers focused on the new King, his family and the ceremonial splendour of the day, Henri Cartier-Bresson turned his lens on the crowds that gathered in the streets of London to watch the pageantry. In a witty reversal of the expected order of proceedings, he shows us ordinary people of all ages and walks of life, some climbing on monuments or each other’s shoulders, others straining to get a better view with cardboard periscopes and mirrors on sticks. A few even slump on the ground, the festivities having proved too much. Presented alongside contemporary news clippings from around the world, these remarkable images reflect Cartier-Bresson’s unmistakeable photographic eye and capture the British public at a unique historical moment.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.