The Devon Coast to Coast is southern England's best developed cycle route. Traffic-free paths on former railway lines such as the Tarka Trail, Granite Way, Drake's Trail and Plym Valley Way make this route a unique experience. Whether you are young or old, fast or slow, the limited mileage and stunning countryside makes the Devon Coast to Coast an adventure suitable for all! This guidebook allows you to fully explore the route and its sights. Special features: All the maps you need, full north-south directions, detailed visitor information, things to see and to do, help for tricky logistics, Plymouth station route, extra routes incl. 99.9% tarmac route for narrow tyres, South West Coast Path and Dartmoor walks, GPS-tracks available and full facility listings (hotels, B&Bs, hostels, campsites, bike repair shops and bike rentals).

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Incarcerated in a Norwegian high-security prison, a broken Alexander Blix joins forces with Emma Ramm to find a ruthless killer who has escaped from a German jail. Pulse-pounding Nordic Noir. Alexander Blix is a broken man. Convicted for avenging his daughter’s death, he is now being held in one of Norway’s high-security prisons. Inside, the other prisoners take every opportunity to challenge and humiliate the former police investigator. On the outside, Blix’s former colleagues have begun the hunt for a terrifying killer. Walter Kroos has escaped from prison in Germany and is making his way north. The only lead established by the police is that Kroos has a friend in Blix’s prison ward. And now they need Blix’s help. Journalist Emma Ramm is one of Blix’s few visitors, and she becomes his ally as he struggles to connect the link between past and present, between the world inside and outside the prison walls. And as he begins to piece things together, he identifies a woodland community in Norway where deeply scarred inhabitants foster deadly secrets... secrets that maybe the unravelling of everyone involved.  

Horst Ruthrof revisits Husserl's phenomenology of language and highlights his late writings as essential to understanding the full range of his ideas. Focusing on the idea of language as imaginable as well as the role of a speech community in constituting it, Ruthrof provides a powerful re-assessment of his methodological phenomenology. From the Logical Investigations to untranslated portions of his Nachlass, Ruthrof charts all the developments and amendments in his theorizations. Ruthrof argues that it is the intersubjective character to linguistic meaning that is so emblematic of Husserl's position. Bringing his study up to the present day, Ruthrof discusses mental time travel, the evolution of language, and protosyntax in the context of Husserl's late writings, progressing a comprehensive new phenomenological ontology of language with wide-ranging implications for philosophy, linguistics, and cultural studies.

The coffee-table book London Vertical is a delight both for lovers of the British capital and for fans of Hamann's work. Whether Big Ben, Tower Bridge, London Eye or The Shard, Hamann presents all these sights, which have already been photographed thousands of times, in his own creative way and thus creates something completely new. It is fun to pick up this illustrated book again and again, because the unusual approach to the motifs is interesting for the eye and brings new details to the fore. The passionate photo artist was born in Mannheim in 1958 and discovered the camera for himself at the age of 11. Having grown up on two continents, Europe and America, he began an intensive artistic exploration of the extreme format of panorama photography in 1985. But it was not until 1991 that what Hamann's followers adore about him today happened: He turned his camera to portrait format for the first time at the intersection of 41st Street and Avenue of the Americas and has since been called the "inventor" of vertical photography among insiders. His photographs not only testify to his great skill and compositional talent, Hamann manages in a unique way to stage well-known motifs in a completely new way. As a reader, you look at his pictures with curiosity and look forward anew to recognising the sights in each photo. Text in English and German.