Andrew Garfield, Emma Stone and Rhys Ifans star in this superhero action adventure film based on characters from Stan Lee's classic Marvel comic strip. Gawky teenager Peter Parker (Garfield) lives with his aunt and uncle in New York City. Aware that there is some mystery surrounding his history and his parentage, Peter does his best to make sense of the few murky clues he has about his past - until one day he discovers the shocking secret that will change his life forever.

Andrew Garfield reprises his role as Peter Parker/Spider-Man in this superhero sequel based on the Marvel Comics characters. By day Peter Parker enjoys an ordinary life, spending time with his girlfriend Gwen (Emma Stone), but by night he flies high amidst New York skyscrapers as he battles evil. The emergence of Electro (Jamie Foxx), a figure with startling power and malevolent intentions, poses Spider-Man his greatest challenge to date, while he also has The Rhino (Paul Giamatti) to keep under control. The unexpected return of his old friend Harry Osborn (Dane DeHaan) is more welcome. Together, the pair come to realise that shadowy corporation Oscorp seems to be responsible for much of the evil they encounter. Can they find a way to put an end to Oscorp's nefarious activities?

JACK RYAN RETURNS in this high-octane twenty-fourth instalment of Tom Clancy's heart-pounding, #1 New York Times bestselling series ___________ PRAISE FOR TOM CLANCY 'Constantly taps the current world situation for its imminent dangers and spins them into an engrossing tale' NEW YORK TIMES 'Exhilarating. No other novelist is giving so full a picture of modern conflict' SUNDAY TIMES 'A brilliantly constructed thriller that packs a punch' DAILY MAIL 'Heart-stopping action . . . entertaining and eminently topical' WASHINGTON POST

Emily Blunt, Rebecca Ferguson and Haley Bennett star in this psychological thriller, adapted from Paula Hawkins' novel. The film follows Rachel Watson (Blunt) who, after getting divorced from her husband Tom (Justin Theroux), takes the train to work every day, passing by her old home and fantasizing about a couple, Megan and Scott Hippwell (Bennett and Luke Evans), who live down the same street, and their perfect life together. After seeing Megan with another man, Rachel is so distraught she turns to alcohol and heads out for a night in the city. The next morning, with no memory of what she did the previous night, Rachel awakens to discover that Megan's disappearance is headline news. She quickly becomes obsessed with the case and tries to find out more about Megan's life but discovers her own interest in the couple's lives also makes her a suspect in the eyes of the police.

Elgar Research Agendas outline the future of research in each area. Leading scholars are given the space to explore their subject in provocative ways and map out the potential directions of travel. They are relevant but also visionary. Outlining significant dynamics to pave the way for future evolution in the field of corporate law, this timely Research Agenda explores provocative and cutting-edge developments to identify new directions for scholarly inquiry. Bringing together a diverse group of scholars, the book evaluates doctrinal and normative issues in corporate law from a range of contextual and interdisciplinary viewpoints. Initial sections consider how evolving conceptual foundations, capital markets, social and cultural contexts, and technologies may impact corporate law and governance in years to come. Subsequent chapters explore how such dynamics are further impacted by the increasingly global nature of corporate production and investment markets. Identifying a host of empirical, theoretical, and practical research questions, the impressive array of contributors suggest new directions for corporate legal scholarship. This state-of-the-art Research Agenda will be of great value to students and scholars of corporate law, corporate governance, and business. Its proposed strategies for carrying out future research on the impact of capital markets, technology and global production will also benefit practitioners and policymakers in corporate law, corporate governance, sustainability, business, finance, and economics.

Every third Monday each April since 1897, the fastest endurance athletes in the world converge on Boston, Massachusetts to run planet Earth’s most prestigious road race, the Boston Marathon. What began with fifteen runners toeing the start on a dirt road is now a global phenomenon, attracting millions of online viewers, more than 500,000 spectators, and 30,000 of the fastest athletes from 120 countries around the world. Books chronicle its storied history. Memoirs highlight its penchant for self-transformation. The Unofficial Boston Marathon Handbook takes a different tack, delivering everything we need to know – how to prepare, what to wear, how to qualify, where to celebrate, who to emulate, how to race, and everything else critical (and not so critical) – to ensure race-day success. In a reverent yet tongue-in-cheek style, The Unofficial Boston Marathon Handbook educates and entertains in equal measure. Marc W. Pollina presents us with the definitive field guide to the Boston Marathon for participants, aspirants on the cusp of participating, and athletes who dream of participating. The Unofficial Boston Marathon Handbook features tips on getting in, training, navigating Boston and the runners’ expo, racing through each town, celebrating after the finish, shaking off the post-race blues, and figuring out what challenge to pursue next in one entertaining package.

Students in economics are ever more distressed by the disconnect between mainstream economics and the real world. This book shows how post-Keynesian economics constitutes a coherent heterodox alternative, based on realistic assumptions and the integration of the financial and real sides of the economy, with an emphasis on the many paradoxes that arise in a truly macroeconomic analysis. The book is a considerably revised and updated version of the widely used and frequently cited 2014 edition. It provides a comprehensive account of post-Keynesian theory and policy. Topics covered include its methodological foundations, consumer theory and choice under fundamental uncertainty, firms and pricing, money and credit, effective demand and employment, growth theory, open-economy issues, inflation theory. It also links with ecological economics. Scholars of economics, particularly post-Keynesian and heterodox economists, will find this comprehensive look at the field a necessary addition to their libraries, while students and instructors will find it a perfect text for any class on post-Keynesian economics.

Graphic novels and comics have launched characters and stories that play a dominant role in contemporary popular culture throughout the world. The extensive revisions in this second edition of Comic Art, Creativity and the Law update the author’s analysis of important changes at the intersection of law and comics, featuring an examination of how recent cases will affect the creative process as applied to comic art. Throughout, Marc H. Greenberg examines the impact of contract law, copyright law (including termination rights, parody and ownership of characters), tax law and obscenity law on the creative process. He considers how these laws enhance and constrain the process of creating comic art by examining the effect their often inconsistent and incoherent application has had on the lives of creators, retailers and readers of comic art. Thoroughly revised and updated, there are new chapters featuring a discussion of important new cases in copyright work-for-hire and fair use doctrines; the intersection of law and fan-based creations, such as fan fiction, fan art, fan film and cosplay; as well as a new chapter on licensing comics for motion pictures and television. Designed for academics, practitioners, students of law and fans of comic art, the book offers proposals for changes in those laws that constrain the creative process, as well as a glimpse into the future of comic art and the law.

In Good Company celebrates South African culture through the lens of the country’s top artists and leaders in the fields of Entertainment, Business and Sport. The aim is to amaze and inspire South Africans with unique stories and a visual punch that is both powerful and visceral.

This is a project of the heart and its intention is to benefit those in need which is why the author has partnered with one of SA’s greatest charaties, Reach For A Dream, who will receive all book proceeds.

Personalities that feature in the collection include Ayanda Thabethe, Prof. Thuli Madonsela, Pearl Thusi, J’Something, Gert-Johan Coetzee, Maps Maponyane, Minnie Dlamini-Jones, Master KG, Thapelo Mokoena, Siba Mtongana, Catherine Constantinides and others.

Governments have always required large public organizations, or bureaucracies, to deliver on their promises. Yet most people leading and managing those agencies lack understanding of the full toolkit of values, insights and findings that are necessary. Considering how public administration can learn from a wide range of disciplines ranging from history and the humanities to management and the social sciences, Marc Holzer delineates new ways of transforming organizations and building trust in governments. Reflecting upon the well-established field of studies on public administration, this book examines how it might reposition itself as society’s necessary and best investment. Concise and timely, the book first draws on the arts and humanities for portrayals of bureaucracy’s unintended impacts, before moving to highlight that public organizations must deliver on governmental promises to build trust with their stakeholders, outlining how willful blindness can result in organizational disasters. Holzer concludes by confronting the popular notion that governments should be run according to the principles of the private sector, and provides an insightful rethinking of how public administration should be practiced. Demonstrating the full range of competencies necessary to manage the public sector, Rethinking Public Administration will be essential reading for all scholars and students of public administration and management, public policy, government and political science. Providing a practical approach to the topic, it will also be advantageous to policymakers and other actors involved in the public sector.

Portia Doubleday and Marc-André Grondin star in this romantic comedy directed by Sean Garrity. Kate (Doubleday) dreams of being a designer for a top fashion house, but her father's reputation for ripping off the houses she wants to work for makes getting a job near impossible. When she agrees to work for the family business she decides to disguise herself as a top male designer in order to expose the company for the frauds that they really are. The cast also includes Chris Noth, Lauren Holly and Natalie Krill.

Los Angeles and the movies grew up together, and a natural extension of the picture business was the premium presentation of the productthe biggest, best, and brightest theatres imaginable. The magnificent movie palaces along Broadway in downtown Los Angeles still represent the highest concentration of vintage theatres in the world. With Hollywood and the movies practically synonymous, the theatres in the studios neighborhood were state-of-the-art for showbiz, whether they were designed for film, vaudeville, or stage productions. From the elegant Orpheum and the exotic Graumans Chinese to the modest El Rey, this volume celebrates the architecture and social history of Los Angeless unique collection of historic theatres past and present. The common threads that connect them all, from the grandest movie palace to the smallest neighborhood theatre, are stories and the ghosts of audiences past waiting in the dark for the show to begin.

Bryan Bertino co-writes and directs this found footage thriller starring Todd Stashwick, Alexandra Lydon and Barak Hardley. The film follows three separate people who receive a video camera on their doorstep with instructions to begin filming and be entered into a mysterious competition. However, as the reality of their situation slowly becomes apparent, they find there is something much more sinister going on behind the scenes.

Surreal thriller written and directed by Ryan Gosling. In an abandoned town, single mother Billy (Christina Hendricks), who is struggling with the expense of her home and two sons, begins work at a nightclub run by her sinister bank manager Dave (Ben Mendelsohn). She soon discovers that employees are encouraged to engage in sadistic acts for the customers' viewing pleasure and she must develop her own unique performance with help from star performer Cat (Eva Mendes). Meanwhile her teenage son Bones (Iain de Caestecker) develops an infatuation with neighbour Rat (Saoirse Ronan) who lives next door with her mute grandmother (Barbara Steele). Rat introduces Bones to a mythical underwater town at the bottom of a resevoir that the pair yearn to explore after escaping the clutches of neighbourhood tormenter Bully (Matt Smith).

British children's animated series written by Josh Weinstein, who has previously worked on 'The Simpsons' and 'Futurama'. The series is set in and around a high school where strange events take place and follows the students of the school as they try to make sense of the bizarre occurrences. The pupils at the school include Becky Butters (voice of Emma Kennedy), a studious girl who nonetheless struggles with logic, and Mitchell Tanner (Doc Brown), a lively boy who would much rather be playing with his friends than stuck in a classroom. The voice cast also includes Richard Ayoade, Caroline Aherne and Marc Silk.

Seasonal British comedy sequel starring David Tennant, Pam Ferris and Jessica Hynes. Neurotic newly-qualified teacher Mr Peterson (Tennant) starts a new job at an under-achieving school and soon finds himself juggling his heavy workload with a wildly unconventional classroom assistant, a group of delinquent kids and his own very pregnant wife. The pressure mounts still further when he somehow becomes embroiled in a madcap plan to enter the National 'Song for Christmas' Competition and finds himself embarking on the craziest road trip of his life.

Feature drama starring Minnie Driver as a schoolteacher intent on staging a rock opera version of 'The Tempest'. It is the summer of 1976, and Viv May (Driver) is an enthusiastic young drama teacher at a Swansea secondary school. With her diaphanous dresses and progressive attitudes, former actress Viv has her enemies amongst the school's more conservative staff, and has set her sights on creating a high-octane fusion of Shakespeare and David Bowie for this year's school performance. Between rehearsals her adolescent students pass the hot summer days lounging around the lido, fighting and falling in love, as their future beyond the safe confines of school life looms ahead of them.

Joseph Gordon-Levitt and Zooey Deschanel star in this offbeat romantic comedy, the feature debut of music video director Marc Webb, which chronicles 500 days in the on/off relationship of Summer (Deschanel) and Tom (Gordon-Levitt). While Summer steadfastly refuses to believe in true love, asserting that real life will always get in the way in the end, Tom has thrown caution to the wind and fallen hook, line and sinker in love with her. Where can their so-called relationship lead?

This remake of Sam Peckinpah's classic 1971 psychological thriller transposes the events of the first film from Cornwall to the American Deep South. James Marsden stars as David Sumner, a Hollywood screenwriter who moves with his wife, Amy (Kate Bosworth), from LA to a house in his wife's small rural hometown to write his new script in peace and quiet. But tensions brew between the two amid the intense heat and isolation, and an escalating conflict with the locals eventually drives a naturally even-tempered David to violent and drastic measures.

Josh Hartnett and Samuel L. Jackson star in this drama about a journalist whose life changes after he writes an article about a homeless man who was once a boxing legend. Reporter Erik Kernan Jr. (Hartnett) finds the opportunity to prove himself to his boss (Alan Alda) and his family by writing a heartfelt piece about a former professional boxer (Jackson) who has since fallen into homelessness and destitution and now spends his days raking through the rubbish bins of Denver. Writing the article leads to a soul-searching personal journey for Erik as he finds himself re-examining his own past and his relationship with his family.