Rupert is an honored American poet; Gemma a retired architect. They live happily and comfortably in a Greenwich Village apartment; the setting, for over thirty years, of their married life. Each with a previous marriage behind them - which left her with two daughters and him with the promise of greatness - they are now facing the challenge of old age together. Both, in their own way, defy the inevitability of death, and yet both are busy preparing for it. The alternating entries of their private journals, which make up the body of Calisher's text, tell a story of familiarity and the fear of loss, love and uncertainty of the future, meanings and habits. With rare verve and panache, Hortense Calisher has confronted a difficult and often neglected subject - and has triumphed magnificently.

A "tattoo" is a bugle call, a summoning that lingers in the ear. Although Hortense Calisher's family eventually migrated north to New York City, the echoes of their days as a slave-owning Jewish family in the South still resonate with this acclaimed author, who uncovers a part of history never before so strongly and tenderly revealed.
Calisher traces her family's years in the South and their transformative move up north, beautifully evoking the mood and texture of the early twentieth century. Her Virginia-born father, a perfume manufacturer, was twenty-two years older than her German-born mother. Marked by longer-than-normal gaps between the generations and conflicts between the mercantile and the scholarly, the "American" and the emigre, her family is characterized by Calisher as "volcanic to meditative to fruitfully dull, and bound to produce someone interested in character, society, and time."

Hortense Calisher has been hailed as "stand ing] vividly with Cather and Fitzgerald" (Cynthia Ozick). In this, her latest and most lauded novel, she explores a family united in blood yet divided by ideas. Son Charles hopes to be a Supreme Court justice; family beauty Nell has children by different lovers; art expert Erika has a nose job; and artist Zach has two wives. Their mother, infamous in Israel, born of a well-to-do Boston background but no longer rich, is bound to a past that never quite dies. The buried history of this extraordinary--and very American--family comes to light unexpectedly when grandson Bert brings home as a wife the woman who, years ago, joined the family circle, then mysteriously disappeared.
Told with wit and deep acuity, "Sunday Jews"is a tour de force from a writer whose fiction has justly been compared with that of Eudora Welty and Henry James, and whose ability to delineate our lives is unparalleled.

One afternoon in the early seventies Carol is sent out for Chinese food, and, while she is away, the explosive device which her revolutionary student friends are busy constructing, accidentally goes off, causing enormous damage. Her friends get away - she is incarcerated. Twenty years later, she has a small, unfurnished flat in New York, a fridge stocked only with the pills supplied by her social worker and an irresistible urge to slip away and live somewhere unencumbered by memories, names and all of her other false possessions. When she finally discovers that even her social worker is taking pills in an attempt to cope with life, Carol gathers a few essential belongings into her backpack and sets off to sleep rough on the city's streets again. Turning away from her dependence on drugs, Carol finds that memories, histories and responsibilities slowly return to her. In the Slammer with Carol Smith is a tough, hip novel by one of America's most outstanding living authors. It has the steady rhythms of the street as well as the haltings and hesitations experienced by the strong yet vulnerable Carol as she rediscovers herself. In fits and starts, the wild terrain of a life spent wandering under distant, unknown stars is mapped out. Carol's journey is both a rediscovery of emotional hiding-places and a search for the path that leads back into a world of normality without illusions and of sanity devoid of compromise.

Fitzgerald’s second novel, a devastating portrait of the excesses of the Jazz Age, is a largely autobiographical depiction of a glamorous, reckless Manhattan couple and their spectacular spiral into tragedy. Published on the heels of This Side of Paradise, the story of the Harvard-educated aesthete Anthony Patch and his willful wife, Gloria, is propelled by Fitzgerald’s intense romantic imagination and demonstrates an increased technical and emotional maturity. The Beautiful and Damned is at once a gripping morality tale, a rueful meditation on love, marriage, and money, and an acute social document. As Hortense Calisher observes in her Introduction, “Though Fitzgerald can entrance with stories so joyfully youthful they appear to be safe—when he cuts himself, you will bleed.”

This Modern Library Paperback Classics edition brings together one of literature's most famous ghost stories and one of Henry James's most unusual novellas. In The Turn of the Screw, a governess is haunted by ghosts from her young charges past; Virginia Woolf said of this masterpiece of psychological ambiguity and suggestion, We are afraid of something unnamed, of something, perhaps, in ourselves...Henry James...can still make us afraid of the dark.

In his rarely anthologized novella In the Cage, James brings his incomparable powers of observation to the story of a clever, rebellious heroine of Britain's lower middle class. Hortense Calisher, in her Introduction, calls it a delicious story, the more so because it confounds what we expect from James.